Showing posts with label The Hussy. Show all posts
Showing posts with label The Hussy. Show all posts

Monday, August 10, 2009

Mae West: Shedding Bylines

In many ways Adeline Leitzbach was the ideal ghostwriter for MAE WEST — — hard-working, experienced, flexible, self-effacing, and willing to shed her byline.
• • Sweet Adeline comes to mind in August because on 10 August 1918 the scriptwriter left Fox Films.
• • Adeline M. Leitzbach • •
• • A female author of German descent, who was often hired to collaborate on silent movie scripts as well as Broadway plays, Adeline was born in 1887 and raised in Manhattan, living in genteel circumstances in Greenwich Village — — until her father died.
• • In 1922, Mae had first contacted this hired pen, who helped her put together a full-length, three act play: "The Hussy."
• • During the World War I era, the unmarried woman was living in the Bronx with her widowed mother Mrs. Maximilian Leitzbach, and had many high-profile projects to her name. When she was 30 years old, Adeline Leitzbach had co-written the Broadway play "Success," staged at the Harris Theatre [254 West 42nd Street] from January — March 1918.
• • Building some momentum and increasing her visibility, Adeline kept busy supporting herself and her mother. Her credit was appearing frequently on screenplays for the silent cinema, too. In 1918, several of her projects made it to the big screen: "The Liar," "Her Price," "The Heart of Romance," and "Stolen Honor." Interestingly, one silent film she had scripted — — "Diamonds and Pearls" [1917] — — featured actor Curtis Cooksey in the role of Jack Harrington. Eleven years later, Cooksey would be on stage opposite Mae in "Diamond Lil" in the plum role of Captain Cummings.
• • Miss Leitzbach was also tapped to adapt a woman's novel "Wife in Name Only" for the screen; it was filmed as "Counterfeit Love" [1923] by Murray W. Garsson Productions.
• • Not long after, Mae West, age 32, and Adeline M. Leitzbach, age 38, would be revising the manuscript that would become "Sex" and would debut in April 1926 in the legit. The authorship would be attributed to "Jane Mast" (wink wink).

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Tuesday, June 23, 2009

Mae West: 23 June 1922

Variety often scolded MAE WEST or found a witty way to sling unkind or unpleasant pronouncements in her direction.
• • During the month of June — — on 23 June 1922 — — Variety's critics briefly changed their tone, moving from glacial malice to a reverential nod.
• • That summer, New York's air was jagged with mosquitoes as shadows stretched across vaudeville, slowly going under, a bare bright emptiness in its future.
• • Shoring up her options, Mae had written "The Ruby Ring" [1921] and "The Hussy" [1922] and she also was preparing to appear in "The Ginger Box Revue," scheduled to open in August 1922 in Greenwich Village.
• • Simultaneously, Mae was writing a new stage act for herself and an accompanist, featuring fast-paced skits and songs. Faced with choosing a pianist, Mae had auditioned two unknowns, Brooklynite Jimmy Durante [10 February 1893 — 29 January 1980] and Harry Richman [10 August 1895 — 3 November 1972], and selected the taller, more dapper fellow. Stagebills soon offered her new show: "Bits of Musical Comedy — — Mae West assisted by Harry Richman."
• • After some good notices, Mae snagged a booking at the Palace.
• • She had structured her turns to include a short version of "The Ruby Ring," a bit in which she was costumed as a Roman empress/ temptress in need of a new gladiator, and a blues segment in which she delivered a gutsy "Frankie and Johnny."
• • Reviewers sat up straight for this one. "She rises to heights undreamed of for her and reveals unexpected depths as a delineator of character songs, a dramatic reader of ability, and a girl with a flair for farce that will some day land her on the legitimate Olympus" [Variety, 23 June 1922].
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Tuesday, September 09, 2008

Mae West: September 1928

In early September 1928, as the Broadway run of "Diamond Lil" was coming to a close, MAE WEST went to the Bronx to pay her respects.
• • On 7 September 1928, Fanny Leitzbach had died. Shortly afterward, the funeral proceeded from her residence and the Bavarian woman was buried in Woodlawn. Fanny's devoted daughter was Mae's frequent writing partner.
• • Adeline M. Leitzbach • •
• • After Mae West read the play Following the Fleet (written by J.J. Byrne and Ted McLean), it did not suit her idea of a vehicle that would make the most of her talents. So she again contacted a female playwright of German descent who was often hired to collaborate.
• • In 1922, Mae had first contacted this ghost writer, who helped her put together a full-length, three act play: "The Hussy."
• • The author was living in the Bronx with her widowed mother Mrs. Maximilian Leitzbach and had worked on projects such as adapting a woman's novel Wife in Name Only [1923] for the screen. Soon Mae West, age 32, and Adeline M. Leitzbach, age 38, would be revising the script that would become Sex and be staged in April 1926.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo:
• • Mae West • • none
• •

Mae West.