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One day in 1933 Eugene O'Neill was writing a letter to a fellow playwright Dubose Heyward [31 August 1885 — 16 June 1940] about censorship, Will Hays, and MAE WEST.
• • "Oh, I can easily credit your experience with the censorship," Gene commiserated. "The same sort happened with 'Anna Christie' and 'Strange Interlude.' And Mr. Hays, who cheers with senile lechery when that dainty Mae West sings 'I like a guy wot takes his time' has barred 'Desire Under the Elms' forever from the films! (Meaning no slur at Mae, you understand. I think she's grand.) And in England the censorship made them change the title . . . ."
• • This letter was printed in "Selected Letters of Eugene O'Neill" [Yale University Press, 1988]. The date on this note to Dubose Heyward is Monday, 7 August 1933.
• • Eugene O'Neill [16 October 1888 — 27 November 1953] • •
• • Born on Tuesday, 16 October 1888, Eugene O'Neill started his life in a Broadway (New York City) hotel room in Times Square. The site is now a Starbucks (1500 Broadway, Northeast corner of West 43rd and Broadway). A commemorative plaque is posted on the outside wall with the inscription: "Eugene O'Neill, October 16, 1888 — November 27, 1953 America's greatest playwright was born on this site then called Barrett Hotel, Presented by Circle in the Square."
• • During the 1910s, Eugene O'Neill was a regular on the Greenwich Village literary scene, where he also befriended many radicals, most notably Communist Labor Party founder John Reed.
• • "The Hairy Ape" is an expressionist play by Eugene O'Neill (1922), and this was the drama being mocked in Mae's song lyrics: "Lemme up! I'll show ya who's an ape!" Imagine it, if you will, since the show "The Ginger Box Revue" did not open (after all) at the Greenwich Village Theatre in 1922. The song Mae wrote for her skit was titled "Eugene O'Neill, You've Put a Curse on Broadway."
• • Fascinated by the prize-winning dramatist Eugene O'Neill, Mae West made sure she saw his plays. Though Mae found O'Neill's outlook depressing, she was well aware of his enormous popularity. His character Anna Christie inspired Mae's prostitute Margy LaMont along with her well-crafted spoofs.
• • Eugene O'Neill died in Boston, Mass. on Friday, 27 November 1953. He was 65.
• • On Monday, 16 October 1933 in Time • •
• • Time Magazine's review of "I'm No Angel" ran in the issue dated for Monday, 16 October 1933.
• • On Monday, 16 October 1939 • •
• • When they were collaborating on a screenplay, both Mae West and W. C. Fields signed a Universal Films contract. The document is dated Monday, 16 October 1939.
• • On Friday, 16 October 1959 • •
• • The sympathetic headline in The Hollywood Reporter was "Mae West Too 'Person'-al; CBS Junks Interview Tape" and it was printed on Friday, 16 October 1959.
• • In Marietta, Georgia, the Journal ran this article on page 3: “Too Sexy?: CBS Cancels Mae West's TV Interview.” It was printed on 16 October 1959.
• • The Los Angeles Herald-Express ran a similar piece on Friday, 16 October 1959. The media reacted en masse to CBS's censoring Mae by taking her side.
• • On Saturday, 16 October 1965 • •
• • The song "Day Tripper" was recorded on Saturday, 16 October 1965 by The Beatles. Mae West covered the song on her album "Way Out West" [1966].
• • Overheard in Hollywood • •
• • Now there is talk that Jim Aubrey and Hunt Stromberg Jr. will produce for Warner Brothers-Seven Arts a film version of a Mae West play, “Sextet,” starring Mae. It would be her first film since “The Heat’s On” 25 years ago.
• • In Her Own Words • •
• • Mae West said: "I got my own individual style. You can always tell Eugene O'Neill — — and you can always tell Mae West."
• • Quote, Unquote • •
• • An article on a playhouse mentioned Mae West.
• • Nancy Berk wrote: The stage where Katharine Hepburn was allowed to “try her wings” in 1931, has welcomed an endless list of legendary theater greats including Tallulah Bankhead, Art Carney, Marlon Brando, Carol Channing, Betty Grable, Dorothy Lamour, Groucho Marx, Mae West, and Mickey Rooney. ...
• • Source: Article on Ivoryton Playhouse written by Nancy Berk for Parade; published on Friday, 10 October 2014
• • The Mae West Blog celebrates its 10th anniversary • •
• • Thank
you for reading, sending questions, and posting comments during this
past decade. The other day we entertained 1,223 visitors.
• • By the Numbers • •
• • The Mae West Blog was started ten years ago in July 2004. You are reading the 3027th blog post.
Unlike many blogs, which draw
upon
reprinted
content
from
a
newspaper
or
a
magazine
and/
or
summaries,
links,
or
photos,
the
mainstay
of
this
blog
is
its
fresh
material
focused
on
the
life
and
career
of
Mae
West,
herself
an
American
original.
•
•
Come
up
and
see
Mae
every
day
online:
http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • in 1928 • •
• • Feed — — http://feeds2.feedburner.com/MaeWest
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MAE WEST told the court they couldn't put anything over her — — including an umbrella.
• • It was November 1936 when Supreme Court Justice Joseph M. Callahan ordered Frank Wallace to supply further information concerning his alleged life with the buxom actress. Callahan gave Wallace, who sought a judgment declaring him to be Miss West's husband, until 27 November 1936 to serve and file an affidavit saying: Whether the plaintiff claimed he and the defendant actually lived together as husband and wife in the state of New York since 1911 . . . and, if so, to specify the times and places where such residences occurred.
• • The justice's order for additional information resulted from Miss West's refusal to appear in the New York court which, she said, had no jurisdiction over her.
• • In November, Let's Remember Eugene O'Neill [1888 — 1953] • •
• • At a time when City Hall was monitoring "dirt plays" and policing the ever present threat of theatrical innovations, both Eugene O'Neill and Mae West aroused the finger shakers in the New York City mayor's office. Joab Banton, N.Y.'s District Attorney, was especially severe on both playwrights. "Desire under the Elms" [produced in 1924] really got Banton's knickers in a knot. This drama was "too thoroughly bad to be purified by blue pen," said Banton.
• • Eugene O'Neill was born in New York, NY on 16 October 1888 and introduced to the theatre world via the Provincetown Playhouse during the 1920s. The Pulitzer-winning "Beyond the Horizon" [published in 1920] was O'Neill's first important play.
• • Though Mae found O'Neill's outlook depressing, she was well aware of his enormous popularity and made sure to go and see his plays. In 1922, she rehearsed the song "Eugene O'Neill, You've Put a Curse on Broadway" for "Ginger Box Review."
• • "Mae West was better suited to writing gritty realism than Eugene O'Neill," explains Frank Cullen in the book "Vaudeville, Old and New" [2007].
• • It was during the eleventh month that the prize-winning dramatist died — — on 27 November 1953. He was 65 years old.
• • On 27 November 1932 in Hollywood • •
• • Jon Tuska, writing about "She Done Him Wrong," notes that production commenced on 27 November 1932, and concluded in December of that year.
• • 27 November 2007 • •
• • Released by the U.K. publisher St. Martin's Griffin on 27 November 2007 was "Mae West: It Ain't No Sin" by the biographer Simon Louvish. The paperback edition had 491 pages.
• • In Her Own Words • •
• • Mae West said: "I don't read. Never have and guess I never will. I write in my books what I learned myself, from life."
• • Quote, Unquote • •
• • A review of "The Heat's On" mentioned that Mae West was "nearly crowded out."
• • The N.Y. Times noted: Even so, the sumptuous siren — — and Victor Moore and William Gaxton, as well — — is nearly crowded out of her own picture by a series of dull production numbers. Miss West, you see, is the turbulent musical comedy star caught in the intrigues of two rival crooked producers, and the plot has been used as little more than an excuse to place Hazel Scott, Xavier Cugat and some lesser folk through their paces — — none of which are particularly startling. ...
• • Source: Film Review written by T.S. for The N.Y. Times; published on 26 November 1943
• • By the Numbers • •
• • The Mae West Blog was started seven years ago in July 2004. You are reading the 2128th blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • 1936 • •
• • Feed — — http://feeds2.feedburner.com/MaeWest
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Mae West.
In the summer of 1922, MAE WEST was starring in "The Ginger Box Revue" and it was a musical designed to showcase her special talents.
• • Since Larry Ceballos had collaborated before with the Austrian composer Arthur H. Gutman [1891 — 1945], the shifty Paul Dupont managed to drag both of these worthy gentlemen onboard for his ill-starred maiden voyage. 
• • The libretto credit for "The Ginger Box Review" [1922] went to Paul Dupont, and the music credit went to Arthur H. Gutman. Promotional material printed by Jerome H. Remick & Co. indicated the first number was to be Mae's introductory song "Come Over" followed by "Canoodle-Ooodle-Oo," then "Eugene O'Neill, You've Put a Curse on Broadway" — — also meant for Mae. Four more songs were prepared for either a soloist or the ensemble; these were: "California Poppy," "Sister Teams," "Big Chief Hooch," and "Cottage for Two."
• • Born in Vienna in the month of August — — on 27 August 1891 — — Gutman worked his way to the West Coast and was hired in Tinseltown for the MGM Studios, serving as musical director and composer for a few dozen films during the 1930s and 1940s, often with a German theme. How popular were those during the WW2 era?
• • Gutman was only 54 when he died in Los Angeles on 3 September 1945 and was laid to rest in the Hollywood Forever Cemetery.
• • Mae West on the Bookshelf • •
• • Published in June 1997 (in hardcover) by Farrar, Straus & Giroux is the wonderful biography Becoming Mae West by Emily Wortis Leider. Masterfully written by this California poet.
• • Library Journal's reviewer said: Exhaustive research, fine writing, and a keen appreciation of Mae West's own bawdy wit inform this energetic and erudite biography of the flamboyant vaudeville, theater and film star. Brooklyn-born West (1893 — 1980) made her own way in show business at a very early age, taking charge of her career, taking whomever she wanted into her bed (she never spent the night in someone else's if she could avoid it) and, through sheer willpower, working her way up to become a film star and sex symbol in her 40s. ...
• • In Her Own Words • •
• • Mae West wrote this: "There are no good girls gone wrong — — just bad girls found out."
• • Quote, Unquote • •
• • Veteran designer Vicky Tiel, now 67, knows how to make women look good and she studied the style of iconic actresses like Mae West.
• • Vicky Tiel told a N.Y. Post reporter: Use white to create the goddess look. “The leading lady wears white,” Tiel says. “It’s a power dress to catch the eye. Raquel Welch knew that secret. And Mae West knew the power of white. If you’re going to a party, and you wear a white drape dress, not only will the guy like you, but you’ll be the star of the room." . . .
• • Source: Article: "Iconic Iconic style arbiter Vicky Tiel tells you what to put on before you take it all off" written by Mandy Stadtmiller for The N.Y. Post; posted on 21 August 2011
• • By the Numbers • •
• • The Mae West Blog was started seven years ago in July 2004. You are reading the 2035th blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • Mae's opening number in 1922 • •
• • Feed — — http://feeds2.feedburner.com/MaeWest
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Mae West.
"The electric sign for the Ginger Box Revue, starring MAE WEST, is still up on the facade of the Greenwich Village Theatre, but current will never light it," tsk-tsked The New York Daily News in August 1922. But during July the firefly of Broadway did not know this musical would end on a sour note. And on 29 July 1922, as she busied herself in that Connecticut dressing room, listening to the Clef Club play the introduction to her opening number "Come On Over," each beat of the drums thrilled with possibilities.
• • Mae West on the Newsstand • •
• • The August 1974 issue of Jet Magazine printed two readers' letters that commented on the profile Jet had run on Mae West in their issue dated 25 July 1974.
• • "I had no idea that [Mae West] broke so many barriers, putting her career in jeopardy for the sake of Blacks," remarked Evelyn Boddie of Brooklyn, NY [excerpt from "Readers Rap," Jet, 8 August 1974].
• • • • • • • • • • • • • • • • • • • •
• • Annual Mae West Tribute 2011 • • 
• • "Mae West in Bohemia — — Gin, Sin, Censorship, and Eugene O'Neill"
• • Mae West's birthday is August 17th. An upcoming Mae West event that is open to the public will be held on Sunday afternoon, 14 August 2011. The title of this illustrated historical theme walk is "Mae West in Bohemia — — Gin, Sin, Censorship, and Eugene O'Neill." Rare vintage illustrations will show you how the buildings and blocks looked as these two theatre people saw them.
• • Sites will include the Village speakeasies where Eugene drank himself into oblivion and met the characters he would put in his plays, and where Mae socialized and bent elbows with Texas Guinan, Walter Winchell, Jack Dempsey, and Barney Gallant; significant theatres; the court where Eugene and Mae battled against censorship; and off-beat addresses that made an impact. Get ready to walk on the wild side. 
• • Raffle prizes! Each Mae West walking tour ends with a raffle of Mae-themed prizes. Here is a detail from one of the O'Neill-themed goodies; the original was created in 1928.
• • When: Sunday, 14 August 2011 — — rain or shine
• • Where: Illustrated Walking Tour begins at 3:00 PM at 62 West Ninth Street, where a gay cabaret once stood that inspired Mae West to write "The Drag" (and to hire their drag queens for the cast). This tour focuses on 18 sites around Washington Square and ends at the Eugene O'Neill and Al Hirschfeld exhibition on West Third. Time: 90 — 120 minutes.
• • Cost: $10 per person
• • • • • • • • • • • • • • • • • • • •
• • In Her Own Words • •
• • Mae West said: "Between two evils, I always pick the one I never tried before."
• • Quote, Unquote • •
• • With all the information about Mae West available online, it's astonishing that some news people do not proofread nor bother to fact check. For instance, one Midwest journalist located squarely in the heartland remarks that Mae made her Hollywood screen debut in 1893. [For the record, Mae was born on 17 August 1893 and made her cinema debut in 1932.]
• • Hutchinson, Kansas-based columnist Sheila Lisman writes: Celebrating someone's birthday can take your mind off the heat for a time. How about remembering Mae West on her birthday August 17? She made her Hollywood debut in 1893 and acted in vaudeville before she was in movies. She was quite a lusty old gal. As she once said, "When I am good, I am very, very good, but when I bad, I am better." ...
• • Source: Column "Some hot dates" written by Sheila Lisman, Community columnist for Hutch News; posted on 27 July 2011
• • 17 July 2004 — 17 July 2011 • •
• • In mid-July the Mae West Blog celebrates its seventh anniversary. Thank you to all those Mae-mavens who come up and see Mae every day.
• • By the Numbers • •
• • The Mae West Blog was started seven years ago in July 2004. You are reading the 2006th blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • 1928 • •
• • Feed — — http://feeds2.feedburner.com/MaeWest
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Mae West.
MAE WEST sang "I'm in the Mood for Love" — — and it was featured on the LP Fabulous Mae West [released in September 1955]. The song had been published twenty years earlier in 1935.
• • Born in Boston in the month of July — — on 10 July 1894 — — James Francis McHugh was a prolific songwriter who was doing his best work from the 1920s through the 1950s. McHugh composed over 270 songs and his hits were recorded by Mae West as well as Frank Sinatra, Bing Crosby, Judy Garland, Billie Holiday, Chet Baker, Dinah Washington, June Christy, Peggy Lee, Deanna Durbin, and Ella Fitzgerald.
• • Composer Jimmy McHugh collaborated with lyricist Dorothy Fields on "I'm in the Mood for Love," which enjoyed great popularity and is still being sung today.
• • Jimmy McHugh died on 23 May 1969 in Beverly Hills, California at age 74.
• • In July 1922 • • 
• • During July 1922, Mae was preparing for her spotlight as she rehearsed the "Ginger Box Review" with a wonderful cast that included Jimmy Hussey and Harry Richman. After a two performance try-out in Hartford, Connecticut, this musical was supposed to be opening at the Greenwich Village Theatre in Sheridan Square. If only . . . .
• • "Ginger Revue Now a Pepless Stew as Promoter Disappears" announced the New York Daily News [13 August 1922]. Thirteen Equity actors sued Perkins to recover their salaries — — but not Mae, who was to have received a percentage of the box office.• • Well, this situation was forcing the ambitious Brooklynite into the one role she feared the most: unemployed actress. On 23 August 1922, however, the New York Clipper noted: Mae West, who was with 'The Ginger Box,' which opened and closed rather suddenly, has returned to vaudeville, and opened at Proctor's Fifth Avenue on Monday. . . .
• • In Her Own Words • •
• • Mae West: During her number "Eugene O'Neill, You've Put a Curse on Broadway," Mae's character was bellowing, Yank-style, "She don me doit! Lemme up! I'll show her who's an ape!"
• • Quote, Unquote • •
• • "Mae West was better suited to writing gritty realism than Eugene O'Neill," explains Frank Cullen in the book "Vaudeville, Old and New" [2007].
• • Mae West spoofed Eugene O'Neill in 1922 and others followed with a parody.
• • Felicia Hardison Londré writes: During the 1920s Eugene O’Neill’s plays elicited an exceptionally large number of playful rewrites. . . . Why did Eugene O’Neill’s plays of the 1920s become such a magnet for la critique créatrice as well as source material for burlesque? First, he met the basic criterion of a subject for parody: universal recognition by the target audience. . . . The Hairy Ape opened on 9 March 1922 and moved uptown in April for a 127-performance run. It quickly spawned travesties, beginning in June with a three-scene burlesque titled “The Shaving of the Hairy Ape” in Raymond Hitchcock’s Pinwheel Revel. Although Frank Fay played “Bull Burke, the Ape Man,” the piece attracted little critical attention apart from a general call for scissors to be taken to the whole show (NYT 16 June 1922). O’Neill’s strong language was targeted in the next two stage lampoons of The Hairy Ape. First came The Ginger Box on July 28-29 in Stamford, Connecticut. The program in the Billy Rose Theatre Collection proclaims “prior to opening at the Greenwich Village Theatre, New York,” but an unscrupulous producer left the show in the lurch and it never got to New York (Watts 61). In the second slot of Act 2, Mae West impersonated Yank Smith and, backed up by the twelve Stoker Girls, sang “Eugene O’Neill, You’ve Put a Curse on Broadway.”
• • Two months later, The Passing Show of 1922 at the Winter Garden featured a similar number performed by the popular blonde singing comedienne Ethel Shutta. According to an undated clipping in the file on that show in the Billy Rose Theatre Collection, the song “condemned O’Neill for teaching Broadway to curse,” while “a supporting chorus yelled ‘Go to hell!’ with an aptitude which might have shamed the ‘Hairy Ape’.” ...
• • Source: Article: "Twitting O’Neill: His Plays of the 1920s Subjected to La Critique Créatrice" written by Felicia Hardison Londré for The Eugene O'Neill Review; posted in Volume 26 — — 2004
• • 17 July 2004 — 17 July 2011 • •
• • In mid-July the Mae West Blog will celebrate its seventh anniversary. Thank you to all those Mae-mavens who come up and see Mae every day.
• • By the Numbers • •
• • The Mae West Blog was started seven years ago in July 2004. You are reading the 1987th blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
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Mae West
• • Photo: • • Mae West • • Greenwich Village Theatre, 1922 • •
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Mae West.
On Thanksgiving, some news people gave thanks for MAE WEST.
• • For instance, San Diego, California reporter Beth Accomando wrote: I give thanks to Paul Newman for the bluest blue eyes and for bucking the system with impertinence; to Errol Flynn for swashbuckling his way through adventures with a rogue's grin that could make me swoon; and to Robert Mitchum for lighting up a cigarette like no one else could. And to all the cinematic clowns who made me laugh till my sides ached starting with Charlie Chaplin, Buster Keaton and Harold Lloyd who needed no words; to Hong Kong's Stephen Chow who mixed physical and verbal comedy with equal ease; to Carole Lombard, Barbara Stanwyck, and Jean Arthur for their sophisticated screwball comediennes; and to Mae West who could turn any phrase into a suggestive come on.
• • MAN: I shall die to make you happy.
• • MAE WEST: But you're no good to me dead.
— — Excerpt: — —
• • Article: Rants and Raves: Films to be Thankful For — — This Thanksgiving What Films Are You Grateful For?
• • By Beth Accomando
• • Published via: www.kpbs.org/
• • Published on: 24 November 2010• • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Eugene O'Neill, You've Put a Curse on Broadway • •• • In 1922, Mae West spoofed Eugene O'Neill's play "The Hairy Ape" during one comical number for "The Ginger Box Review."
• • It was during November that the native New York dramatist died — — on 27 November 1953. Considering he won so many awards, why did O'Neill look so sour in every photo he posed for? If you have an explanation, let us know. Inquiring minds are wondering. . . .• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • none • •
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Mae West.
According to biographer Emily Wortis Leider: The Ginger Box served up wall-to-wall MAE WEST. In addition to featuring her as Circe, turning her lovers into swine, it presented Mae West as a Broadway vamp (played to Harry Richman's victim), Mae West singing "I Want a Cave Man," Mae West clowning to Tommy Gray's "I'm a Night School Teacher," and torching a song whose regretful tone she would later rule out: "Sorry I Made You Cry." 
• • The libretto credit went to Paul Dupont, and the music credit went to Arthur H. Gutman. Promotional material printed by Jerome H. Remick & Co. indicated the first number was to be Mae's introductory song "Come Over" followed by "Canoodle-Ooodle-Oo," then "Eugene O'Neill, You've Put a Curse on Broadway" — — also meant for Mae.
• • Born during the month of October, Eugene O'Neill started his life in a Broadway (New York City) hotel room in Times Square. The site is now a Starbucks (1500 Broadway, Northeast corner of West 43rd & Broadway). A commemorative plaque is posted on the outside wall with the inscription: "Eugene O'Neill, October 16, 1888 — November 27, 1953 America's greatest playwright was born on this site then called Barrett Hotel, Presented by Circle in the Square."
• • During the 1910s, Eugene O'Neill was a regular on the Greenwich Village literary scene, where he also befriended many radicals, most notably Communist Labor Party founder John Reed.
• • "The Hairy Ape" is an expressionist play by Eugene O'Neill (1922), and this was the drama being mocked in Mae's song. "Lemme up! I'll show ya who's an ape!" Imagine it, if you will.
• • O'Neill's involvement with the Provincetown Players began in mid-1916. Four years later, his first published play, "Beyond the Horizon," opened on Broadway in 1920 to great acclaim, and was awarded the Pulitzer Prize for Drama. O'Neill also received the 1922 Pulitzer Prize for Drama for his writing. Then in 1936 he received the Nobel Prize for Literature. Despite this outstanding acclaim, however, his portraits invariably show the unsmiling author with the most miserable expression.
• • Across the street from O'Neill's birthplace, Paramount Pictures established their iconic headquarters at 1501 Broadway and debuted many Mae West motion pictures in their street-level theatre during the 1930s.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • Eugene O'Neill in 1931 • •
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Mae West.
