Friday, November 20, 2009

Mae West: Jimmy & Shimmy Mae

When MAE WEST was featured at the Central Theatre [Broadway & West 47th Street] on 25 December 1920, she had no idea that Santa Nick had a sweet little career surprise waiting.
• • Irish-American comedian Jimmy Hussey [1891
1930] was the star attraction that Christmas Day. Also performing were Phil Baker and Aileen Stanley — — but Mae West must have pulled focus and attracted Hussey's attention.
• • Born in Chicago in 1891, James J. Hussey made his stage debut (accidentally) when he attended a performance in The Windy City and started singing choruses from the balcony. Instead of getting thrown out, he won a contract and started appearing on the Shubert vaudeville circuit.
• • Clearly, Mae left the right impression on Christmas Day 1920. Several months later, Hussey wrote the book and the lyrics for the revue that would be renamed "
The Mimic World 1921." He made sure his new material was custom-tailored to Mae's unique talents. She was cast in many prominent skits in this production — — including the con artist "Shifty Liz."
• • Clearly with Mae's approval and cooperation, Hussey penned the skit "The Trial of Shimmy Mae." Hussey himself played the judge as Mae demonstrated the shimmy in his topsy-turvy courtroom.
• • For the skit "The Bridal Suite," Jimmy Hussey took the role of a busy newly-wed who has to leave his honeymoon for a business meeting. In his absence, the pretty bride entertains her lovers, making her own appointments. "The Bridal Suite" was scrapped from the revue when it had a Boston try-out. The censors also cut the lights when Shimmy Mae started to dance.
• • "
The Mimic World 1921" opened on 17 August 1921 and Hussey's close friend, Jack Dempsey (another Irish-American) attended the premiere, and visited Mae backstage after the show.
• • Death at age 39 on 20 November 1930 • •
• • Jimmy Hussey, who was a brilliant success onstage as a Jewish comedian, died at age 39 of pneumonia on 20 November 1930. Mae West attended his memorial service, which was held at St. Malachy's on West 49th Street, a ceremony that also commemorated the recent deaths of two other Roman Catholic colleagues of hers, Tommy Gray and Tony Pastor.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Thursday, November 19, 2009

Mae West: Sex Rated

Through November 21st you can enjoy "Sex" by MAE WEST in a new production by Prologue Theatre directed by Margo Gray.
• • Chicago critic Paige Listerud had this assessment: I’ve long wanted to see Sex, the play that put Mae West in jail. Mae West was one of America’s great crossover artists, bringing more risqué influences from vaudeville and jazz to the so-called “legitimate” stage on Broadway. She appropriated elements from African-American artists and the drag balls of the Pansy Craze, lifting comic styling wholesale from female impersonators Burt Savoy and Julian Eltinge. For her part, West daringly imported queer culture into the mainstream with her plays The Drag and The Pleasure Man. But then Mae West was about all sex, not just the straight variety.
• • Prologue Theatre Company is obviously conscious of the historical value of these American theatrical and cultural developments, staging Sex at the turn-of-the-century Gunder Mansion, now serving as the North Lakeside Cultural Center. The play occurs en promenade, an element that both does and doesn’t work for the production. Transitioning the audience from room to room certainly emphasizes shifts in place from Montreal to Trinidad to Connecticut. However, the time it takes for the audience to make it into their seats from one room to the next also produces clumsy delays between scenes and the travel up and down stairs definitely limits accessibility.
• • What created scandal in West’s time seems tame in ours. Yet Jes Bedwinek, as the savvy working girl Margy Lamont, infuses her leading role with the right amount of suggestiveness. She borrows just enough of West’s timing and inflections without devolving into an utter Mae West caricature–successfully acknowledging her illustrious forebear while at the same time making the role her own. Anne Sheridan Smith molds her role as the philandering society matron Clara Stanton, to be the perfectly balanced foil to Bedwinek’s Margy—just as lusty, yet hemmed in by cultural refinement and conventional restraints. As the doomed prostitute Agnes, Rebecca L. Maudlin brings realism and sympathy to a role that could have been rendered as simply pathetic. It’s a woman’s play, after all; the things of greatest consequence happen to the women characters.
• • Director Margo Gray has honed the cast to adhere to naturalism, as opposed to the heavily stylized acting of West’s era. It’s a choice that definitely scales the production to the more intimate setting of Gunder Mansion, as well as clarifying and updating the play for a modern audience. It’s also a choice that exposes the weaknesses of uneven casting. Gray has brought from her successful run of The Wonder: a Woman Keeps a Secret Sean Patrick Ward (Jimmy Stanton) and Christopher Chamblee (Lt. Gregg), yet many cast performances are too scattershot to convey a cohesive ensemble. Nathan Pease’s turn as Margy’s pimp, Rocky, is sleazy enough yet still doesn’t contain the menace needed to threaten convincingly.
• • For my money, the audience gets stinted the most during the more vaudevillian portions of the play. The opening of the first scene in Trinidad should shine with musical numbers that warm the audience to Margy’s culminating performance of “Shake That Thing”—a classic Ethel Waters tune that Mae West appropriated. A little more jazz and enthusiasm, as well as a little more shakin’ that thing, might easily make up for musical deficiencies. Or perhaps Tinuade Oyelowo should be given more numbers to rock the audience with that voice of hers. Whatever the case, this is supposed to be the Roaring Twenties, not the Ironic 90’s or the Tight-ass 50’s. It’s not a good sign when there’s more fun to be had listening to the singing of drunken sailors on shore leave.
• • All in all, the shortcoming’s of Prologue’s production resigns it to community theater status for all their efforts. As Mae would know, it takes performers with a lot more on the ball than this to produce good old-fashioned entertainment.
— — Source: — —
• • Review: Prologue Theatre presents: "Sex" by Mae West
• • Prologue Theatre’s “Sex” Only Puts Out a Little —
• • Reviewed by: Paige Listerud
• • Published by: Chicago Theater Blog — — chicagotheaterblog.com
• • Published on: 6 November 2009

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Wednesday, November 18, 2009

Mae West: Sex Positive

A revival of "Sex" by MAE WEST is afoot in Chicago. One intensely handsome Midwest theatre maven was in the aisle seat. Lean in to listen.
• • Chicago Theatre Addict Bob writes: Prologue Theatre Company’s deliciously detailed production of Mae West’s Sex transports you back to a fringy flapper era where good girls go bad and bad girls try to go good, but ultimately, bad girls just wanna have fun.
• • It’s like “Showgirls,” circa 1920.
• • Well, not *really* (don’t go expecting Charleston-inspired pole dancing); however, just like that Elizabeth Berkley classic, this bawdy work was panned by the critics and jeered by the morality police, but the audiences came out in droves to see what all the hub-bub was about.
• • Prologue’s production, creatively staged at the historic North Lakeside Cultural Center by director Margo Gray, is more charming than cheap. Time only magnifies the creaky structure of West’s novice work, with inorganic emotional shifts to merely advance the plot (such as a prissy society housewife suddenly empathizing with the hooker who’s preparing to wed her son) and the heavy reliance on stock secondary characters. However, the care and detail that goes into this production makes it an endearing evening of entertainment.
• • As Margy, the pragmatic hooker with a heart of gold and balls of steel, Jes Bedwinek follows Mae West’s lead, but doesn’t go into camp. While the role really requires a star to make the show spin, Bedwinek takes a more human approach, which mostly works. Thankfully, the bawdy line readings still resonate. And you begin to feel for Bedwinek’s Margy as she reluctantly starts to let down her guard for a young suitor, despite him not knowing her less-than-reputable past.
• • Another standout in the cast is Anne Sheridan Smith as the Connecticut sophisticate who has more in common with Margy than she may care to acknowledge. Her frenzied, uptight performance plays nicely against Bedwinek’s sly Margy.
• • However, the star of this production is the venue. Generally, I’m not a fan of promenade staging, but Gray has used the sprawling Cultural Center effectively. Audience members get up and move around only a few times to signify a key scene change, and during the transitions, actors keep the momentum going by drunkenly singing in the hallway or flirting with you from the doorways. The inclusion of an intermission, however, seems a misstep, only for the break in atmosphere that’s been so thoughtfully set.
• • Kudos to set and costume designer Carrie Hardin — everything from the champagne glasses to the fringe-lined dresses to the dollar bills is vintage ’20s.
• • “Sex” by Mae West plays through November 21, 2009 at North Lakeside Cultural Center, 6219 N. Sheridan Road.
— — Source: — —
• • Review: “Sex” by Mae West
• • BY: Bob
• • Published by: Confessions of a Chicago Theatre Addict — — chitheatreaddict.com
• • Published on: 7 November 2009

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West • • as Margy Lamont in 1926 • •
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Tuesday, November 17, 2009

Mae West: Rock Hudson

Under the golden gaze of Oscar, MAE WEST made beautiful music with this actor who was born in mid-November.
• • Hailing from Winnetka, Illinois, handsome Rock Hudson [17 November 1925 — 2 October 1985] was a film and television actor who was a popular leading man during the 1960s and 1970s, most notably in several romantic screen romps with his most famous co-star Doris Day.
• • Rock Hudson was voted "Star of the Year," "Favorite Leading Man," and similar titles by numerous movie magazines, and was one of the most popular and well-known movie stars of the time. He completed nearly 70 motion pictures and starred in several television productions during a career that spanned over four decades. Hudson was also one of the first major Hollywood celebrities to die from an AIDS related illness.
• • In 1958, the tall, dark, and handsome heart-throb sang a memorable duet with Mae West — — "Baby, It's Cold Outside" — — during an Academy Awards Show. This was a rare invitation extended to Mae to perform during the annual Hollywood awards ceremony. As they concluded the number, Rock offered Mae a cigarette, noting that it was "king-sized" — — and Mae replied, "Mmmm, it's not the men in your life, it's the life in your men!" They ended with a long, slow, passionate kiss.
• • It would never be cold inside — — if Mae West was there.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Monday, November 16, 2009

Mae West: November 1939

Production began for the new MAE WEST motion picture "My Little Chickadee" on 12 November 1939.
• • She had entered into negotiations for this project by the end of May 1939 with reservations due to her costar's reputation for drinking.
• • Earlier that month, W.C. Fields had submitted a script called "December and Mae." In this early draft, which was set in the 1880s, the two leads were wed (but in name only) and also the co-owners of a Western-style barroom. By summer the studio had roped Grover Jones, a professional screenwriter, into the deal. Fields found Grover's ideas both tame and lame — — and urged Mae to collaborate with him instead.
• • Here are a few lines that made it into the final version:
• • Cuthbert J. Twillie: May I present my card?
• • Flower Belle Lee: 'Novelties and Notions.' What kind of notions you got?
• • Cuthbert J. Twillie: You'd be surprised. Some are old, some are new. Whom have I the honor of addressing?
• • Flower Belle Lee: Mmm, call me Flower Belle.
• • Cuthbert J. Twillie: Flower Belle, what a euphonious appellation. Easy on the ears and a banquet for the eyes.
• • Flower Belle Lee: You're kinda cute yourself.
• • Cuthbert J. Twillie: Thank you. I never argue with a lady.
• • Flower Belle Lee: Smart boy.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/

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Sunday, November 15, 2009

Mae West: North Carolina

Nothing could be finer than to enjoy MAE WEST in Carolina exactly 75 years ago.
• • Spotted in the Greensboro Daily News, November 15-21, 1934:
• • Movie at the Carolina Theatre: Mae West in “Belle of the Nineties” in beautiful North Carolina.
• • That's what we call a real Thanksgiving treat.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Saturday, November 14, 2009

Mae West: Sex in the Wind

Several Chicago papers have reminded Windy City citizens to go see "Sex" by MAE WEST.
• • Announcing some "Sexy Weekend Haps," Kiki, for instance, encouraged her Chicago Now readers: Check out the play that put icon Mae West in the clink. Produced by the Prologue Theatre at the North Lakeside Cultural Center at 6219 N. Sheridan Rd in Roger's Park. Runs Thursday — Saturday at 8:00PM.
• • Since this is the weekend that "Go West, Young Man" was released in 1936, it's apt to suggest that Mae-mavens go MIDWEST and enjoy a nice evening of "Sex."

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West • • 1926 • •
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