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MAE WEST's controversial play "The Drag" will be onstage not far from the cornfields of the Midwest this weekend. Don't miss it.
• • Deanna Howard's feature in The Iowa City Press-Citizen gives some background. 
• • Deanna Howard writes: The second play of Dreamwell Theatre's season of "inciting theatre" is none other than Mae West's play, "The Drag." Organizers chose "The Drag" to coincide with local Gay Pride festivities.
• • "It's a chance for today's LGBT population to see how far we've come in the way of the social mindset, as how familiar some of the struggles are to our own today," said director Chuck Dufano.
• • "Things might get a little bizarre ... which is all in keeping with any good gay pride festival."
• • Dreamwell presents "The Drag" at 7:30 p.m. this Friday and Saturday and June 26—27, 2009 at the Universalist Unitarian Society. ...
• • Mae West wrote the play in the mid-1920s.
• • "For its time, it was a daring script," Dufano said. "She allowed gay men to speak in their own voice."
• • It's an interesting play because while it was cutting-edge then, by today's standards it's rather backwards, Dufano said.
• • "The Drag" centers on Rolly Kingsbury, a judge's son, who is set to inherit the family's ironworks business.
• • Kingsbury's marriage crumbles when the secret of a past affair with a man comes to light, as well as an affiliation with the local drag community.
• • Iowa City resident Gary Tyrrell plays one of the drag queens, Clem, in the production.
• • Growing up, Tyrrell was often encouraged to suppress his feminine side, to be ashamed of it.
• • Being in "The Drag" has allowed Tyrrell to come to grips with his childhood. He's enjoying the opportunity to show off his feminine side on stage. "It's been a lot of fun," Tyrrell said. "It's a good story. It has a lot of fun music from the Roaring 1920s."
• • WHERE: Universalist Unitarian Society — — 10 S. Gilbert Street, Iowa City, Iowa 52240.
— — Source: — —
• • Article: "Dreamwell presents 'The Drag'"
• • Play part of local Gay Pride events
• • Byline: Deanna Howard | Staffwriter
• • Published in: The Iowa City Press-Citizen — — www.press-citizen.com/
• • Published on: 18 June 2009
• • • • • • • • • • • • • • • • • • • • • • • • • •
• • • • • • • • • • • • • • • • • • • • • • • • • •
• • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 — 1932, explores Mae West's legal woes surrounding "The Drag" and "Sex." Scenes in Act I dramatize Mae's interactions with her drag queen cast, the police raid on 9 February 1927, and the tense aftermath at Jefferson Market Police Court.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • 28 March 1927 court trial • •
• • Feed — — http://feeds2.feedburner.com/MaeWestNYC
Mae West.
The Drag — — a play written in 1926 by MAE WEST — — is in rehearsal.
• • Though the roles originally scripted for drag queens (Clem, The Duchess, Winnie, etc.) were meant to be played by real transvestites, Dreamwell Theatre has opened up the casting to females for their June 2009 production.
• • Dreamwell's web site noted: In The Drag, which opened to an “avalanche of condemnation,” as one biographer put it, Mae West argued that homosexuality had no class identification. In The Drag, West drew on the exuberance of the drag queens who had become her friends and “sisters” to challenge society’s strictures on the subject of homosexuality. Chuck Dufano will direct. The production promises to be challenging and rewarding as the entertainment at the drag ball is unscripted. Chuck Dufano, the director, plans to incorporate dance, music and songs of the time as well as any other vaudevillian type of talent that presents itself at auditions.
• • A read-through took place earlier this month and full-on rehearsal is in progress in preparation for a June 19th opening night with a cast of over a dozen actors.
• • The Drag is the story of Rolly Kingsbury’s failing marriage to Clair, his past secret affair with David Caldwall, his growing lust for Allen Grayson, and his affiliation with the very "out" drag community. By giving gay characters a voice, Mae West argued that homosexuality had no class identification and challenged social mores on the subject.
• • Performances will be offered next month on these dates: June 19, 20, 26, 27 at the Unitarian Universalist Society.
• • The Drag can be seen at the Unitarian Universalist Society, 10 S. Gilbert, Iowa City, Iowa 52240.
• • For more details, you can phone: (319) 337-3443 or (319) 541-0140.• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • none • •
• • Feed — — http://feeds2.feedburner.com/MaeWestNYC
Mae West.
Here's another opportunity to see "The Drag" by MAE WEST — — or to be cast in the production.
• • In Iowa Dreamwell's Artistic Director decided to present a season with a theme of "Inciting Theatre."
• • Their season opens with Ibsen's “An Enemy of the People," a play from 1882. Dreamwell is using a new translation and has cast women in several male roles to modernize it.
• • Then in late June, Dreamwell Theatre will present a play written by 1930s screen legend and sex symbol Mae West.
• • Rachael Lindhart, secretary and active member of the volunteer company, does not expect insurgence, rioting, padlocks, nor police raids in Iowa City even though she is aware that "The Drag" (which was doing its out-of-town tryouts back in January 1927) opened to an “avalanche of condemnation,” as one of Mae's biographers phrased it. Rachael Lindhart says Mae West’s “The Drag” was one of the first plays to portray gay men in a sympathetic light. Before “The Drag,” homosexual characters were used to add a more comedic element.
• • Subjects that were deemed unlawful or offensive to good citizens are considerably less so these days, however, Rachael Lindhart insists that the theater’s history of sparking debate is essential to the development of today’s dramas. By presenting a bill of old controversies, Dreamwell pays tribute to those brave playwrights who paved the way for modern vanguards of the stage.
• • “We have a history of somebody’s gotta be first,” Rachael Lindhart says. “There are a lot of things that we need to talk about from the stage that aren’t easy. I hope that this season will make people think that they should perhaps see a play before they condemn it.”
• • Auditions for "The Drag" will be held in Iowa during April and May in 2009. To audition, contact Brian Tanner: brian@dreamwell.com.
• • Dreamwell Theatre’s 2009 Season includes these four: “An Enemy of the People” [written by Henrik Ibsen]; “The Drag” [written by Mae West and directed by Chuck Dufano] on June 19th, 20th, 26th, and 27th, 2009; “Master Harold and the Boys” [written by Athol Fugard]; “Playboy of the Western World” [written by J.M. Synge].
• • All performances take place at 7:30 pm at the Unitarian Universalist Society, 10 S. Gilbert Street, Iowa City. Tickets are $12 with discounts available for seniors and students. 
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 — 1932, explores Mae West's legal woes surrounding "The Drag" and "Sex." Scenes in Act I dramatize Mae's interactions with her drag queen cast, the police raid on 9 February 1927, and the tense aftermath at Jefferson Market Police Court.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer.• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • 1927 trial • •
NYC
Mae West.
MAE WEST was Madonna's role model when she was still a wanna-be entertainer. Born in mid-August one day before her idol, the material girl was famously chided by her British husband for trying to stay youthful and sexy after her 50th birthday. Canadian Guy Barbineau meditated about this connection between M and M.
• • But before we line up his paragraphs for a moment in the spotlight, one correction must be made. Liberace's perceptive quote was: I cried all the way to the bank. "Laughed all the way to the bank" makes no sense, you know. You do know, Guy, we hope.
• • Writing for Xtra West, Vancouver resident Guy Barbineau observed: The one thing Madonna [born on 16 August 1958] has done that really offends people is being successful.
• • It's not religion. It isn't sex. It's all about who has power.
• • Society always did and still does get its knickers in a twist when smart, opinionated, and outspoken women and gay men come into power — — and have a public voice. To think otherwise is naive.
• • Now Madonna's being criticized for daring to be sexual at 50. Like Mae West, another gay icon, she's laughing all the way to the bank.
• • There are plenty of similarities between the two. West learned her walk, talk, and shtick from New York drag queens in the 1920s. She pushed buttons, landing herself in jail by writing and performing in plays like Sex and the homosexually themed The Drag — — thus drastically increasing their ticket sales — — before becoming the world's biggest movie star for several years in the 1930s.
• • "I believe in censorship. It made me a fortune," Mae West said. Madonna could say the same thing. ...
— — Excerpt: — —
• • Article: "Why we love Madonna — — As Sticky & Sweet rolls into town, Xtra West pays tribute to one of the world's biggest gay icons"
• • Byline: Guy Babineau in Vancouver, Canada
• • Published in: Xtra West — — www.xtra.ca
• • Published on: Thursday, 23 October 2008• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • none • •
NYC
Mae West.
MAE WEST had a close friend for awhile in Liberace, who also forged a public relationship with actress Joanne Rio. 
• • While the flamboyant, diamond-loving entertainer pursued male lovers in private, Liberace's record company churned out press releases describing him as "the perfect all-around man any woman would be thrilled to be with" — — and his cookbooks featured recipes for "Liberace lasagna" (showing off his Betty Crocker side).
• • In case you need a refresher course, Wladziu Valentino Liberace [16 May 1919 — 4 February 1987], better known by only his last name Liberace, was a famous American entertainer and pianist of Polish and Italian descent. Liberace, known as "Lee" to his friends and "Walter" to family, was born in Wisconsin to Frances Zuchowska, a Polish American, and Salvatore ("Sam") Liberace, an immigrant from Formia, Italy.
• • Las Vegas was an excellent platform for Mae West and those casino audiences in the Nevada desert made Liberace a huge star during the 1970s and 1980s.
• • Now two Hollywood heavyweights — — Michael Douglas and Matt Damon — — are set to star in a no-holds barred bio-pic that will depict the long hushed-up homosexual affairs of the over-the-top keyboard king, who succumbed to AIDS at age 67 in 1987.
• • Militant about his myth-making, Liberace always denied he was gay, successfully suing the Daily Mirror in 1957 over a Cassandra column that described him as “fruit-flavored."
• • However, Scott Thorson, who claimed to have been Liberace's lover for five years, sued the pianist in 1982 for $60 million alimony after a bitter break-up. Actor Matt Damon will portray Mr. Thorsen.
• • Helming the motion picture is director Steven Soderbergh.
• • Get ready for the "Brokeback Mountain" of the piano sphere.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • 1950s • • NYC
Mae West.
MAE WEST defined camp as "the kinda comedy where they imitate me." In "Guilty Pleasures: Feminist Camp from Mae West to Madonna" [Duke University Press, 1996] Pamela Robertson saw things differently.
• • In her book review, Harmony H. Wu writes: Pamela Robertson has set out a difficult task for herself in GUILTY PLEASURES: FEMINIST CAMP FROM MAE WEST TO MADONNA. Never mind that “traditional” notions of camp are contentious and hard to pin down, Robertson wants to define a “feminist camp” sensibility, one that has relationships to but is distinct from more familiar conceptions of gay camp. She argues that while women have historically been active participants in camp, discourse AROUND camp has increasingly posited an exclusively gay male agent of camp, distancing women from the site of camp production. Robertson seeks to re-center women in camp, drawing on popular culture texts and gay constructions of camp to argue for a specifically feminist camp sensibility and practice.
• • Harmony H. Wu explains: In a brief genealogy of the term, Robertson finds that “camp” can be located as far back as 1909. By 1945, the term was understood to connote gay or lesbian . . .
• • Harmony H. Wu focuses on the MAE WEST section: The chapter on Mae West most successfully illustrates that feminist camp both resides within and extends beyond the sphere of gay males. Noting that Mae West was/is frequently referred to as doing “female drag,” Robertson notes that West actually modeled her performance on contemporary female impersonators, which would have been recognized by her audience. Furthermore, the gay male played a significant role in West's act and functioned as a crucial element of her proto-feminist camp sensibility. From stage plays to Hollywood movies, “West did not simply copy gay style but linked certain aspects of gay culture to aspects of a female sensibility” (33). While, as Robertson points out, West's acts were in collusion with the inversion theory of gay men, on the other hand, West clearly believed that women and gay men were aligned because of their shared oppression by straight men. In her hyperbolic performances of femininity, Robertson suggests that West rewrites the gay male drag performance, extracting the masculine characteristics and “articulate[s] a specifically feminine form of aggressivity… She paradoxically reappropriates — and hyperbolizes — the image of the woman from male female impersonators so that the object of her joke is not the woman but the idea that an essential feminine identity exists prior to the image” (34). It is within this reinscription of a gay male camp activity (female drag) that Robertson locates West's feminist camp. Furthermore, she suggests that female VIEWERS have access to the critical stance of West's feminist camp — not only through watching the narratives but also in the female spectators' practice of West imitation, a practice alluded to by contemporary fan magazines and reviews, giving women “imaginary access to [West's] autonomy, transgression, and humor” (51). . . .
— — Excerpt: — —
• • Article: Book Review of "Guilty Pleasure: Feminist Camp from Mae West to Madonna"
• • Written by: Ms. Harmony H. Wu
• • Publication: International Gay & Lesbian Review, Los Angeles, CA — — www.gaybookreviews.info
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • 1935 • •
NYC
Mae West.
For the record, MAE WEST began making films in 1932 — — not the 1920s. 
• • Director Todd Stephens credits the screen queen with being his muse and guidepost. A recent article in the Sydney Star Observer, written by John Burfitt, offers Stephens's comments on his idol.
• • This is an excerpt from an interview by Australian columnist John Burfitt:
• • While filming Another Gay Movie, director Todd Stephens believed the project had an unexpected guardian angel watching over it.
• • For a film depicting a group of young gay men’s desperate efforts to lose their virginity, Stephens believed it is appropriate that guardian angel was the long-dead screen siren, Mae West — — the woman who introduced sex to the movies in the 1920s [sic], and scandalised Hollywood as a result.
• • Todd Stephens is a Mae West fan, and even has some of her old furniture in his apartment. But while he was filming Another Gay Movie, he discovered an even closer connection with West.
• • “She was one of my big idols as I was growing up, and a big influence on me,” Stephens says from his New York home.
• • “When I was living in Hollywood while making this film, I discovered I was living right next door to where Mae lived for 50 years, and that was a total coincidence. I liked that as this is a very sex-positive movie, and certainly Mae was into that.
• • “She never apologised for exploring sexuality on screen, and neither do I with this film. So I felt I had her spirit watching over me the entire time I was making this film.”
• • . . . Another Gay Movie, which played at the recent Mardi Gras Film Festival, will be released on DVD 18 April 2007.
• • Source: Sydney Star Observer — — /www.ssonet.com.au — — Issue 860
• • Published on 29 March 2007• • Come up and see Mae every day online: http://MaeWest.blogspot.com/________
Source:http://maewest.blogspot.com/atom.xmlMae West
• • Photo: • • Mae West • • defending herself at Criminal Court for writing a gay play • • October 1928NYC
Mae West.
Mae West's "Pleasure Man" trial began on 16 March 1930.
• • The courtroom proceedings had a certain entertainment value. Cast member Chuck Connors II sang the controversial "She's the Queen of the Beaches" for Judge Amedeo Bertini and the jury. Though somber, bereaved, and wearing mourning for her late mother, Mae West had to stuff a black handkerchief in her mouth to keep from laughing at this performance.
• • Actor Alan Brooks [1888-1936] - - who played the title role in "Pleasure Man"- - swore on the witness stand that he was astonished to discover that his character had died from being castrated. The debonair 42-year-old leading man testified in smart-looking spats and a gorgeous suit.
• • Performer, director, and writer Alan Brooks was born in New York City on 25 January 1888 as Irving Hayward.
• • Alan Brooks made his Broadway debut - - on his 21st birthday - - playing a tutor in the musical "Stubborn Cinderella" (which ran from 25 January 1909 - 10 April 1909).
• • On 1 October 1928, Alan Brooks played the role of Rodney Terrill in Mae West's "Pleasure Man," which was raided during its premiere at the Biltmore Theatre. The play was completely shut down after its second performance.
• • His last Broadway show was "The Metropolitan Players" (December 1932) and, ironically, he played the Counsel's Opinion.
• • At age 48 Alan Brooks died 29 September 1936, Saranac Lake, NY.• • Come up and see Mae every day online: http://MaeWest.blogspot.com/________
Source:http://maewest.blogspot.com/atom.xmlMae West
• • Photo: • • Mae West • • Alan Brooks [wearing spats] during the trial • • 1930 • •
NYC
Mae West.
