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MAE WEST kicks off the motion picture series in Middletown on Friday afternoon — — 9 October 2009 — — keeping her comedy classic "I'm No Angel" light-hearted and fluid with delicious quips, memorable one-liners, and enormous eye-appeal. 
Animal magnetism led her muse to this screenplay, inspired by her fascination with Coney Island and Bostock's lions, enjoyed so much during her Brooklyn childhood when she dreamt of entering the big cage and taming a jungle cat. Mae did her own lion-hearted stunts in the film, too.
• • Directed by Wesley Ruggles, this Paramount Pictures favorite was originally released with great fanfare on 6 October 1933 — — 76 years ago.
• • And it was on 7 October 1933 when Mae recorded "They Call Me Sister Honky Tonk" for the Brunswick label.
• • Born in Philadelphia, Pennsylvania, composer Harvey Brooks [1899 — 1986] wrote all the numbers that Mae fans associate with this box office blockbuster, which also featured handsome Cary Grant.
• • Harvey Brooks's sassy song compositions included "I'm No Angel," "They Call Me Sister Honky Tonk," "[No One Loves Me Like] That Dallas Man," "I Found a New Way to Go to Town," and other numbers.
• • Brooks collaborated on these tunes with two lyricists: Gladys DuBois and Ben Ellison.
• • Ben Ellison [1902 — 1984] hailed from Pennsylvania as well. Unfortunately, there is scanty info on female ASCAP member Gladys DuBois.
• • Lion-lady Tira in New Jersey • • • • On Friday, October 9th, "I'm No Angel" will be shown on a big screen at Middletown Library in The Garden State.
• • THE SKINNY: Middletown Township Public Library [55 New Monmouth Road, Middletown, NJ 07748]. The Main Branch is located just east of Route 35.
• • Take your questions directly to the library: 732-671-3700, ext. 333.• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • as Tira in 1933 • •
• • Feed — — http://feeds2.feedburner.com/MaeWestNYC
Mae West.
MAE WEST charmed The New York Times film critic Mordaunt Hall. Well satisfied by the motion picture "I'm No Angel," Hall haled it and his readers heeded. 
• • Here's what Hall wrote after the advance screening in 1933:
• • Arrayed in a variety of costumes which set off her sinuous form, Mae West is appearing at the Paramount in her latest screen vehicle, "I'm No Angel," a title which, as might be surmised, fits the leading character. Here Miss West, who wrote the story herself from "suggestions contributed" by Lowell Brentano, is beheld as a circus beauty named Tira, who wins applause and admiration by risking her blond head in a lion's mouth twice daily.
• • It is a rapid-fire entertainment, with shameless but thoroughly contagious humor, and one in which Tira is always the mistress of the situation, whether it be in the cage with wild beasts, in her boudoir with admirers, or in a court of law.
• • Tira is ever ready with a flip double entendre, and she permits no skeleton to be found behind her cupboard doors. She has an emphatic personality, which proves a magnet for even socialites with millions. She receives costly presents, including diamond necklaces, but she is hardly a gold-digger. She refrains from posing, preferring to keep her natural slangy speech in her journey through the story from a tent to a penthouse.
• • She admits that she has thrown discretion to the winds and she sometimes finds herself in an awkward predicament, but through a wily lawyer she succeeds in proving that she is guiltless. The feeble parts of this picture are those in which a criminal known as Slick is introduced. The less one sees of him the better one feels, for the production is interesting only as long as it proceeds on its merry route.
• • The glimpses of Tira making her impressive entry to the circus arena and then proceeding to the big cage with the roaring lions are depicted shrewdly. Tira does not actually stick her whole head in the lion's mouth, but contents herself by putting her face between the beast's jaws, which is quite enough. Even this is set forth with a certain degree of fun, and one feels that Tira probably has a pistol ready for an emergency and that other circus employee are ready to shoot in the event that the beast starts to close its mouth. But one is apt to wonder whether they could possibly be quick enough. Society among the spectators is thrilled, all except one snobbish girl, who is furious because her fiancé is very enthusiastic over the performer's courage — — and her beauty.
• • Later there comes the time when Tira puts her fair head into a court of law as the plaintiff in a breach-of-promise case. She sues Jack Clayton, whom she really loves, for $1,000,000, and it is not Tira's artful counsel who wins the case, but the circus queen herself. She cross-examines the defendant's witnesses and turns their testimony in her own favor, the unusual proceeding being countenanced by a judge whose sympathy Tira wins with the utmost ease.
• • Miss West plays her part with the same brightness and naturalness that attended her second film role. There is no lack of spontaneity in her actions nor in the utterance of her lines. She is a remarkable wit — — after her fashion. Cary Grant is pleasing as Jack Clayton and Walter Walker is excellent as the considerate old judge. Gregory Ratoff does well as Tira's lawyer. Wesley Ruggles has directed the film with his usual intelligence.
— — Source: — —
• • Byline: Mordaunt Hall
• • Published by: The New York Times
• • Published on: 13 October 1933
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• • • • Cast for "I'm No Angel" • • • •
• • Tira . . . Mae West
• • Jack Clayton . . . Cary Grant
• • Bill Barton . . . Edward Arnold
• • Slick . . . Ralf Harolde
• • Barker . . . Russel Hopton
• • Alicia Hatton . . . Gertrude Michael
• • Kirk . . . Kent Taylor
• • Thelma . . . Dorothy Peterson
• • Benny Pinkowitz . . . Gregory Ratoff
• • Beulah . . . Gertrude Howard
• • The Chump . . . William B. Davidson
• • Bob, the Attorney . . . Irving Pichel• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• • On Friday February 6th, a sparkling new print of "I'm No Angel" will open the 1930s series "Breadlines and Champagne," which will run from Friday February 6th through March 5, 2009 at the Film Forum, 209 West Houston Street, New York, NY 10014. Info and screentimes are available by phoning 212-727-8110 — — or by visiting www.filmforum.org online.• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • 1933 • •
NYC
Mae West.
New Yorkers in the know are getting in the mood to spend February 6th with MAE WEST. 
• • If you have seen "I'm No Angel" before, then you might remember the title song, which Mae warbles in her inimitable cheeky way.
• • Harvey Brooks wrote the music for the theme song and the lyrics were written by Gladys DuBois and Ben Ellison.
• • Born in Philadelphia in the month of February — — 15 February 1899 — — Harvey Brooks also wrote the music for several other Mae West numbers. Composer Harvey Brooks died in Los Angeles on 17 June 1968.
• • Here are the lyrics so you can sing along with Mae on Friday.
• • • • "I'm No Angel" • • • •Aw, come on, let me cling on to ya like a vine
Make that lowdown music trickle off your spine
Baby, I can warm ya with this love of mine
I'm no angel
Aw, let me feel your fingers runnin' through my hair
I can give you kisses till you walk on air
Love me, honey, love me till I just don't care
I'm no angel
I'll take your blues, stomp down your troubles
Rock you with a steady roll
Here's your good nation, drink my affection
You're my new ace in the hole
Aw, let me have ya now before the night is gone
Come on, flank this joint, so we can carry on
I can make it heaven where the shades are drawn
I'm no angel
(— Instrumental Break —)
Come on, honey, thrill me like a midnight breeze
Don't care how you do it, babe, just so you please
Take my kisses till your weary heart's at ease
I'm no angel
Let me feel your fingers runnin' through my hair
I can give you kisses till you walk on air
Love me, honey, love me till I just don't care
I'm no angel
Oh, I'll take your blues, stomp down your troubles
Rock you with a steady roll
Here's your innovation, drink my affection
You're my new ace in the hole
Aw, let me have ya now before the night is gone
Come on, flank this joint, so we can carry on
I can make it heaven where the shades are drawn
I'm no angel
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• • • • Cast for "I'm No Angel" • • • •
• • Tira . . . Mae West
• • Jack Clayton . . . Cary Grant
• • Bill Barton . . . Edward Arnold
• • Slick . . . Ralf Harolde
• • Barker . . . Russel Hopton
• • Alicia Hatton . . . Gertrude Michael
• • Kirk . . . Kent Taylor
• • Thelma . . . Dorothy Peterson
• • Benny Pinkowitz . . . Gregory Ratoff
• • Beulah . . . Gertrude Howard
• • The Chump . . . William B. Davidson
• • Bob, the Attorney . . . Irving Pichel• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• • "I'm No Angel" is being shown as part of the 1930s series "Breadlines and Champagne," which will run from Friday February 6th through March 5 at the Film Forum, 209 West Houston Street, New York, NY 10014. Info and screentimes are available by phoning 212-727-8110 — — or by visiting www.filmforum.org online.• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • 1933 • •
NYC
Mae West.
MAE WEST 's composer Harvey Brooks died in June, so let's take a moment to meditate on his angel music.
• • Born in 1899 in Philadelphia, Pennsylvania, Harvey Brooks wrote all the numbers that Mae fans associate with her successful film "I'm No Angel."
• • His song compositions included "I'm No Angel," "They Call Me Sister Honky Tonk," "That Dallas Man," and "I Found a New Way to Go to Town."
• • The songwriter — a member of ASCAP — died in Los Angeles at age 69 on 17 June 1968.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • none • •
NYC
Mae West.
Animal magnetism led her muse to this screenplay, inspired by her fascination with Coney Island and Bostock's lions, enjoyed so much during her Brooklyn childhood when she dreamt of entering the big cage and taming a jungle cat. Mae did her own lion-hearted stunts in the film, too.
