Mae West: Harlem's Bars 1931

On September 28th MAE WEST's latest play was reviewed by Time Magazine's critics. Here's the view from an aisle seat.
• • The Theatre: New Plays in Manhattan: 28 Sep. 1931, Time Magazine • •
• • "The Constant Sinner" • •
• • Three seasons ago Mae West's lusty singing of "Frankie and Johnnie" and the nostalgic flavor of bar and brothel scenes made Diamond Lil a Broadway hit. In The Constant Sinner, which Mae West wrote from her own novel, the bars and brothels are Harlem, 1931, and Mae West does not sing. But The Constant Sinner is no tame play, nor is it a dull play.
• • Though handicapped by a more effete period, Mae West in some of her lines attains the lush bawdiness of her earlier production:
• • "That dame [Cleopatra] went in for everything . . . she even went to bed with snakes."
• • "I never turn anything down but the bed-covers."
• • She plays the part of Prostitute Babe Gordon with a forthright enthusiasm, sometimes tempered by irony, as in the curtain line, after she has convinced her husband that she is not living with another man (which she is) and the husband has mouthed a few platitudes about Faith. Says Babe Gordon: "I used to know a fine poem about Faith. It begins — Oh, Hell! I've forgotten it."
• • [Review printed on Monday 28 September 1931, Time Magazine]
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• • Excerpt from Babe Gordon by Mae West [NY: The Macaulay Company, 1930] • •
• • • • "Well, it was a woman. A beautiful woman. She was seated at a table in a corner of the room with a big negro — — actually enjoying him, fascinated by him."
• • • • "Do you mean that stunning blonde woman in an ermine wrap?" asked Jack Rathburne. "I did notice her, but I didn't see the negro."
• • • • "Well, he came in later," explained Wayne Baldwin. "Come to think of it, you were at the opposite side of the table. Your back was to them. How in the name of all that's decent, Jack, could a woman like that, obviously a person of refinement, allow a black to make love to her?"
• • • • Jack crushed out his cigarette in a green-glass tray.
• • • • "A matter of taste, Wayne. In this case, a very depraved taste."
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • as Babe Gordon • •
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Mae West: Satisfying Sex

It feels like 1927 even though our calendar's stamped 2007. Theatre-goers are assembling at 8 o'clock, clutching programs printed with a familiar phrase: "Sex" — — written by Mae West.
• • And a Bay Area publication led off with this: Delia MacDougall revs up Mae West's "SEX"! Oh, don't you wish you were in sunny California this week, inhaling an a-MAE-zing West Coast revival onstage?
• • Columnist Chad Jones interviewed the leading lady. His article follows.
• • • • • • • • • • • • • • • • • • • •
• • THIS MONTH, if you're looking for good "Sex," you may need to head for Berkeley.
• • Last night, the Aurora Theatre Company opened Mae West's 1926 show "Sex" starring Delia MacDougall as Margy LaMont, the role West originated herself.
• • MacDougall, a familiar face to Bay Area audiences (she most recently died onstage in California Shakespeare Theater's "King Lear"), grew up in Mountain View and remembers her mother taking her to Palo Alto's Stanford Theatre to see old movies.
• • "My mom was a big fan of Mae West's and would quote her all the time," MacDougall says from her San Francisco home. "I loved all those sexy pre-Code 1930s ladies. I think Mae West had something to her that was more powerful than any of them — more sexual but not very sexy. She was a powerful, sexual woman."
• • Of course, young Delia didn't necessarily know what West was talking about. "It still takes me a while to catch on — she makes innuendo out of everything."
• • Even before MacDougall was approached by Aurora artistic director Tom Ross about playing West's role in "Sex," the busy actor/ director was something of a West aficionado.
• • "I saw her films then started reading the biographies. I was impressed by the paths she cut," MacDougall says.
• • After an audition for another Aurora show, MacDougall was sensing she didn't get the part when Ross handed her the "Sex" script. The first few pages had MacDougall hooked, and she knew she wanted to do the show.
• • "The character, Margy LaMont, is clearly a prostitute, and that's what was so upsetting to people at the time," MacDougall explains. "She's very real — — which is a funny thing to associate with Mae West. In the '20s, prostitutes onstage had to suffer and die at the end. Audiences had to believe there was good in them somewhere. But with Margy, it's not like that."
• • "Sex" got bad reviews when it opened, but, as you might imagine, audiences adored it. It ran for a year before The City of New York sent the police in to shut it down. West was arrested on a morals charge and served eight days in prison (though legend has it she was allowed to wear her silk underwear in jail).
• • Of course, being the Madonna of her day, West turned all the publicity to her advantage, wrote more plays (most of which were shut down or forced out of town) and made her way to Hollywood.
• • Because "Sex" emerged before the West persona was set in curvy stone, the character of Margy is, as MacDougall puts it, "more man-angry and society-angry than later West characters. Mae had a better sense of humor than Margy."
• • Consequently, MacDougall does not have to do an out-and-out West imitation, though she is working on her shimmy.
• • "I think it's a good play — — it's not 'Inherit the Wind' but it moves quickly, you don't know where it's going and it has characters you love," MacDougall says. "And Mae always wrote that Margy is in a clinch, so I love playing the part because I'm always in the arms of some guy."
• • This will be the year MacDougall chose "Sex" over "Christmas" (the sex jokes just never end with a title like that). She was all set to go back into American Conservatory Theater's annual "A Christmas Carol," but decided to opt for West's play.
• • "I don't know how many more years I can be in a play called 'Sex,'" she says.
• • If you'd like to sample a little of Mae West at her best before you head to "Sex," which is directed by Ross and features Maureen McVerry, Danny Wolohan, Steve Irish, Robert Brewer, Kristin Stokes, and Craig Jessup, Delia MacDougall recommends West's first movie, "Night After Night," in which a hat-check girl says to West, "Goodness, what lovely diamonds." To which West replies, "Dearie, goodness had nothing to do with it."
• • MacDougall also recommends listening to West's song "A Guy What Takes His Time."
• • The Aurora's "Sex" continues through December 9th, 2007 at the Aurora Theatre Company, 2081 Addison St., Berkeley, California; T: 510-843-4822
• • Source: InsideBayArea.com
• • Byline: Chad Jones
• • Published: 6 November 2007
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• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West onstage in "Sex" • • 1926-27 • •
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Mae West.