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In a recent interview, comedienne, cabaret performer, and former stripper Lisa Faith Phillips discussed the life of a stand-up comic, MAE WEST, and whether women are actually funny,
• • Interviewer Betty Swallow asked Lisa: Why is it that men are considered funnier? Are men better at laughing at themselves, particularly physically?
• • Lisa Faith Phillips said: I was struck by a book that came out in 1986 Comedy Writing Secrets by Melvin Helitzer. In it he proposes that the two most important elements of why we laugh are superiority and surprise — — with the desire to feel superior the most important.
• • Melvin Helitzer writes: “There is a strong and constant need for us to feel superior… What we are often doing with humor is comparing ourselves with others we consider inferior by ridiculing their intelligence, their social standing and their physical infirmities.”
• • It seems easier for men to pursue this sort of comedy as they have been used to being in the power position for centuries. It is harder for women, though it has thankfully been changing, to come at the audience from a power position as for centuries we have been relegated to the position of helpmate, nurturing, and supportive. So women have to break the mold of how society has viewed them for centuries to follow their male counterparts.
• • Looking back over what comediennes were successful on television, there does seem to be only the “allowed” roles for women by the male controlled early movies and television. Gracie Allen — — ding-a-ling housewife, Lucille Ball — — ding-a-ling housewife, Phyllis Diller — — lazy, sloppy housewife, Rosanne Barr — — fat, lazy sloppy housewife. There was also the Mae West’s and Sophie Tucker’s brand of bad girl humor which didn’t thrive as well on TV — — though it has had a life in the comedy and cabaret clubs.
• • It is striking that many of the women comedians today who are the most successful are lesbians: Ellen Degeneres, Paula Poundstone, Rosie O’Donnell, Wanda Sykes, which ties into the aggressive outsider role that comediennes often are placed.
• • I am excited to see how comedy will change now that women are becoming a more accepted part of the comedy scene . . . . • • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • none • •
NYC
Mae West.
MAE WEST is featured in a new title about American comedy and in a new series on PBS.
• • Make 'Em Laugh: The Funny Business of America
• • Written by: Michael Kantor & Laurence Maslon (Twelve, 384 pages, 2008)
• • An enlightening book review by John Grooms appears below.
• • • • • • • • • • • • • • • • • • • • • • • • • •
• • Too often, books created to accompany major PBS documentary series make a crucial mistake: They try to reproduce the series, using still pictures and text. With a couple of notable exceptions (Ken Burns' The War and Lewis and Clark), it rarely works, and what had promised to be great coffee table books turn into dust collectors bound for the used bookstore. Fortunately, the authors of Make 'Em Laugh: The Funny Business of America took a different approach.
• • Let's back up a bit.
• • In January, PBS will broadcast Make 'Em Laugh, a 6-hour series about American comedy of the last century. The series, which promises to be extraordinarily wide-ranging, especially considering its time constraints, will be divided into six hour-long episodes. Series creator Michael Kantor (who produced and directed PBS' Emmy-winning Broadway: The American Musical) decided not to move chronologically through the years from, say, Laurel and Hardy to Chris Rock. Instead, he divided American comedy into six genres. "I was afraid if we broke it down by decade, it would get predictable," Kantor says. "With comedy, we wanted to have more surprise."
• • • • Here's how Make 'Em Laugh breaks down: • • • •
• • Episode One, "The Knockabouts," features masters of physical humor including, among others, Charlie Chaplin, Lucille Ball, Harpo Marx, The Three Stooges, and Jim Carrey.
• • Episode Two, "Satire and Parody," takes in everything from Will Rogers through Laugh-In and The Daily Show.
• • Three, "Smart-Alecks and Wiseguys," showcases the likes of Groucho Marx, Jack Benny, the great Tim Moore ("Kingfish" from Amos 'n' Andy), and Larry David.
• • Four, "Nerds, Jerks, Oddballs and Slackers," highlights everyone from Harold Lloyd and Bob Hope to Phyllis Diller, Jonathan Winters, and Andy Kaufman.
• • Five, "Breadwinners and Homemakers," looks at sitcoms through the ages, from radio's The Goldbergs and early television's George Burns and Gracie Allen to Seinfeld and The Simpsons.
• • Finally, Episode Six explores "Groundbreakers" (i.e., artists who got into trouble for their language and attitudes) such as Mae West, Lenny Bruce, Richard Pryor, and, of course, George Carlin.
• • The series features tons of classic clips, interviews with performers, and a cast of knowledgeable talking heads to provide context; all in all, Make 'Em Laugh promises to be a great mix of comedy, biography, and American history.
• • The only problem with the series is that it has too much ground to cover in too short a time. (Yes, six hours is a long series, but trying to fit all of American comedy of the last century into six hours? Come on.) That's where the accompanying book comes in. Lucky for us, the authors — — Kantor and Laurence Maslon, editor of Library of America's George S. Kaufman collection — — made their book into a solid, entertaining addition to the series. The pair realized how quickly a comedy routine deflates when it's merely described, so they took a different approach. Instead of replicating the series, they created a font of extra information about America's greatest comedians' lives and art, and made the book a source of additional insight into those artists' work — — not to mention a storehouse for hundreds of great photos. The book's widely varied chapters contain unexpected surprises, such as a series of essays on early developments in American comedy including vaudeville and radio comedies, or a well-told reminder of the explosive and important role played by "All In The Family" in the evolution of sitcoms.
• • There are also several moving chapters on the private struggles of some comic actors, including Mae West, Gilda Radner, and Charlie Chaplin. Perhaps none of the stories are more poignant, or odd, than that of Paul Lynde, a supremely sardonic, gay comic actor who did relatively well in theater and films during a still-closeted era, but wound up doing some of his funniest work as a perpetual guest on the Hollywood Squares game show.
• • Kantor structured the TV series and the book differently, but he says they both share the same purpose: to reveal truths about particular places and times by examining, and celebrating, what enchanted its audiences. Kantor explains that he hopes "to show how our greatest comedians have reflected America's social climate ... In the same way you can learn about the state of the country by the song, 'Brother, can you spare a dime?' or the musical Hair, you can learn about the Great Depression or Mae West's era by the jokes they were telling."
— — Source: — —
• • Book Review: "Make 'Em Laugh examines comedy greats"
• • By John Grooms
Published in: Creative Loafing — — charlotte.creativeloafing.com
Published on: 2 December 2008
• • • • • • • • • • • • • • • • • • • • • • • • • •• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • none • •
NYC
Mae West.
