• • Let’s hear from another Australian drama critic now. This is Part 10 of of 10 segments, the finale.
• • In Stephen Sewell’s charming “Arbus and West,” feminism boils to the surface • •
• • living in a dream state but yet trapped • •
• • Sandra D’Urso wrote: Sewell empathises with Mae West’s realisation that being a woman is tantamount to living in a dream state, trapped in a condition of artifice and alienation from the world.
• • Sandra D’Urso wrote: It is to enter a contractual agreement to live as though you were a species of living dead trapped beneath a crust of glamour. A narcotic existence, so seemingly pleasurable and sensual that the terror of it escapes all our notice.
• • Sandra D’Urso wrote: I may be over-reaching here, but in the era of #MeToo in the Australian theatrical context there is something deeply hopeful about our most prominent playwrights developing a feminist politics in their work.
• • The play “Arbus and West” was staged at Arts Centre Melbourne until 30 March 2019.
• • Sandra D’Urso’s review has concluded here with Part 10. So enjoyable to share it with you.
• • Source: The Conversation; published on Wednesday, 6 March 2019.
• • On Tuesday, 5 August 1913 • •
• • On Tuesday, 5 August 1913, The New York Tribune's critic commented that even Mae's low neckline and raunchy bumps and grinds were not enough to sway the hoi polloi at Hammerstein's.
• • Overheard in Hollywood • •
• • In the early 1930s, when Mae West was vacationing at La Cinta, a posh resort favored by Paramount executives, she had an amazing experience with Amelia Earhart that she wrote about in her memoir “Mae West on Sex, Health and ESP.”
• • In Her Own Words • •
• • Mae West said: "Jazz suited me — — I liked the beat and emotions."
• • Mae West said: "I like my sexes stable."
• • Quote, Unquote • •
• • Motion Picture Herald mentioned Mae West.
• • Hearst vs. Mae West • •
• • The William Randolph Hearst newspapers editorially lambasted Mae West's new picture this week and followed through with a refusal to accept advertisements for the key city showings now in progress.
• • "Mae West's 'Klondike Annie' is a disgrace to everyone connected with it," editorialized the Hearst papers, adding: "Paramount and Will Hays' office should be ashamed to allow it to be shown to the public."
• • The Paul Block newspapers in the East acted similarly. And, yes, they often do. …
• • Source: Motion Picture Herald; published on Saturday, 29 February 1936
• • The evolution of 2 Mae West plays that keep her memory alive • •
• • A discussion with Mae West playwright LindaAnn LoSchiavo — —
• • http://lideamagazine.com/renaissance-woman-new-york-city-interview-lindaann-loschiavo/
• • The Mae West Blog celebrates its 15th anniversary • •
• • Thank you for reading,
sending questions, and posting comments during these past fifteen years. Not
long ago, we entertained 3,497 visitors. And we reached a milestone recently
when we completed 4,200 blog posts. Wow!
• • By the Numbers • •• • The Mae West Blog was started fifteen years ago in July 2004. You are reading the 4271st blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West • • photo by Diane Arbus in 1965 • •
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