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Several New Yorkers had seen Mae West's play "Sex" more than once — — including Sergeant Patrick Keneally, who had taken an exhaustive number of notes while attending three performances at Daly's 63rd Street Theatre in the line of duty.
• • Police action against "Sex" had been more in opposition to "The Drag" than to Margy LaMont's lascivious adventures, explains Jill Watts in her impeccably researched bio: Mae West: An Icon in Black and White. • • According to Jill Watts: While efforts to euthanize "The Drag" succeeded, "Sex" played to capacity crowds for several more weeks. However, by the beginning of March [1927], attendance had died off and profits shrank. Desperate to keep the production alive, the Morals Production Corporation ordered a 25% pay cut for everyone. Several players handed in their notices.
• • Finally, on Sunday, March 19, after the evening's performance, Morganstern announced that Mae West was physically exhausted and was closing the play. Yet he also emphasized her determination to fight the case to its end.
• • According to Jill Watts: Only a few days later, the New York State senate passed the Wales Padlock Bill, which required the district attorney to prosecute everyone associated with an indecent production and to lock down for one year any theatre that hosted such shows. It was less severe than mandating a stage censor and allowed the power over Broadway to remain with the district attorney, who in New York was the Tammany Hall loyalist Banton. The bill now sat waiting on Al Smith's desk.• • In Jefferson Market Police Court (on Sixth Avenue and West Ninth Street) the defendants from the "Sex" raid came to trial on 28 March 1927. The prosecution's case rested on the testimony of Sergeant Keneally and his ability to take rapid, accurate stenography in a darkened playhouse. New York's district attorney, perhaps addicted to the fortissimo eloquence of inner lives magnificently thwarted by the law, was prepared to step into his gladiator mode to do battle with the dauntless leonine jezebel of the Jazz Era — — Mae West.• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 — 1932, explores Mae West's legal woes. Act I, Scenes 3 — 4 dramatize both the police raid on 9 February 1927 and the tense aftermath at Jefferson Market Police Court.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" has attracted the attention of a theatre owner and Is now seeking a co-producer.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Mae West
• • Photo: • • Mae West • • 1927 courthouse • •
NYC
Mae West.
MAE WEST knew some intriguing folks and the cast of "Courting Mae West" includes some colorful characters. Meet Starr Faithfull [1906-1931], called "Sara Starr" in the play.
• • STARR FAITHFULL was a blue-eyed, red-haired beauty who lived in Greenwich Village with her mother, step-father, and younger sister, and kept a diary (bound in faded red silk) of her sexual escapades. The 5' 6" high-kicker, who died in an expensive silk dress purchased at Lord and Taylor, knew how to shop and party but did not hold a sunny view of the human condition.
• • Reporter John O'Hara, who had observed the 25-year-old flapper at literary soirees, laced her into his Upper East Side novel, Butterfield 8, where she is renamed Gloria Wandrous.
• • Learn about her: StarrFaithfull.blogspot.com• • In "Courting Mae West," Starr Faithfull's counterpart SARA STARR is stylish and greyhound sleek; as MAE WEST says, "Any skinnier, she could be cellophane." A diarist, she envies professional writers but is more interested in selling tips than manuscripts. In her early twenties, SARA STARR provides a novel sexual awakening for ELIZA ROURKE, a sheltered housemaid, and turns over her diary to MARIO "Shortie" de ANGELIS, an action that sparks several consequences. SARA STARR is portrayed by the scintillating, sultry Jessalyn Maguire.
• • JESSALYN MAGUIRE — — trained at London Academy of Music and Dramatic Art (LAMDA), the British American Drama Academy (BADA), and has a BA in Theatre and English from Wellesley College. While in London, Jessalyn worked at the Royal National Theatre and at the National Studio. Previous theatre credits include: The Merchant of Venice, The Bald Soprano, The Lesson, Antony and Cleopatra, and As You Like It.• • "COURTING MAE WEST" opens at 6 o'clock on Saturday night July 19, 2008 at the Algonquin Theatre [East 24th Street and Park Avenue South].
• • "COURTING MAE WEST" — — showtimes
• • July 19th, 2008 — — 6:00 PM
• • July 20th, 2008 — — 2:00 PM matinee
• • July 21st, 2008 — — 6:00 PM
• • July 22nd, 2008 — — 9:00 PM
• • Tickets to "COURTING MAE WEST" are $18 per adult.
• • Theatermania.com sells the tickets — — http://www.theatermania.com/content/show.cfm/show/144297
• • Questions? Phone 212-779-3051.
• • The play is 95 minutes.
• • Get ready to come up and see Mae West, Texas Guinan, and the gang onstage in mid-July 2008.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West cast • • Jessalyn Maguire • •
NYC
Mae West.
How many actresses would like to portray MAE WEST? When director Louis Lopardi placed the official casting call for the play "Courting Mae West" in Actors' Access, within 48 hours 690 responses had flooded his mailbox. 
• • Since "Courting Mae West" — — a serious-minded comedy based on true events during the Prohibition Era — — has a cast of seven, not every resume was intended for the "diamonds is my career" gal. Another actress will portray Beverly West and Texas Guinan, for instance.
• • But the largest number of replies, according to Mr. Lopardi, was for the role of Starr Faithfull [called Sara Starr in the play]. He received 270 headshots and cvs from actresses eager to play the fatal flapper. Starr's role calls for a very thin, stylish woman in her mid-twenties. As written, Sara Starr is a complex creature with a generous store of nervous discontent, harsh in her judgments of others, and quick to see individuals as defective because they are not enough like her. When John O'Hara wrote about the beautiful party girl, who met death at age 25, he renamed her Gloria Wandrous and made her the centerpiece of Butterfield 8.
• • As Mr. Lopardi heads for his first round of auditions on Friday and Saturday [April 25th — 26th, 2008] at The Producers Club in Manhattan, what will he look for in the next Mae West? "Her vitality was legendary," said the director. "And Mae West had industrial strength charisma."
• • What helps a stage director select the right individual? The first step is "typing-out by headshots plus experience," he explained, "and then short screening auditions."
• • What are some red flags? Showing up totally costumed for the role is a warning sign Mr. Lopardi is aware of. "An actress can suggest Mae West by wearing a boa — — but if she shows up decked out like Diamond Lil, I would be leery."
• • The casting and the elimination rounds begin today. Later there will be callbacks. Check this blog again to see who will play Mae in "Courting Mae West" in mid-July at the Algonquin Theatre in New York City.• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • 1927 • •
NYC
Mae West.
Several New Yorkers had seen Mae West's play "Sex" more than once — — including Sergeant Patrick Keneally, who had taken an exhaustive number of notes while attending three performances at Daly's 63rd Street Theatre in the line of duty.
• • Police action against "Sex" had been more in opposition to "The Drag" than to Margy LaMont's lascivious adventures, explains Jill Watts in her impeccably researched bio: Mae West: An Icon in Black and White. • • According to Jill Watts: While efforts to mothball "The Drag" succeeded, "Sex" played to capacity crowds for several more weeks. However, by the beginning of March [1927], attendance had died off and profits shrank. Desperate to keep the production alive, the Morals Production Corporation ordered a 25% pay cut for everyone. Several players handed in their notices. Finally, on Sunday, March 19, after the evening's performance, Morganstern announced that Mae West was physically exhausted and was closing the play. Yet he also emphasized her determination to fight the case to its end.
• • According to Jill Watts: Only a few days later, the New York State senate passed the Wales Padlock Bill, which required the district attorney to prosecute everyone associated with an indecent production and to lock down for one year any theatre that hosted such shows. It was less severe than mandating a stage censor and allowed the power over Broadway to remain with the district attorney, who in New York was the Tammany Hall loyalist Banton. The bill now sat waiting on Al Smith's desk.• • In Jefferson Market Police Court (on Sixth Avenue and West Ninth Street) the defendants from the "Sex" raid came to trial on 28 March 1927. The prosecution's case rested on the testimony of Sergeant Keneally and his ability to take rapid, accurate stenography in a darkened playhouse. New York's district attorney, perhaps addicted to the fortissimo eloquence of inner lives magnificently thwarted by the law, was prepared to step into his gladiator mode to do battle with the dauntless leonine jezebel of the Jazz Era — — Mae West.• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • The serious-minded comedy "Courting Mae West" by Greenwich Village playwright LindaAnn Loschiavo, set during 1926 — 1932, explores Mae West's legal woes. Act I, Scenes 3 — 4 dramatize both the police raid on 9 February 1927 and the tense aftermath at Jefferson Market Police Court.
• • Using fictional elements, the text is anchored by true events and has several characters who are based on real people: actress Mae West; Beverly West; Jim Timony; Texas Guinan; Mr. Isidore, a news seller on Sixth Avenue and West 9th Street; and Sara Starr, based on the Greenwich Village flapper Starr Faithfull, whose death inspired John O'Hara's novel "Butterfield 8" and a dozen other books.
• • "Courting Mae West: Sex, Censorship, and Secrets" will be onstage at the Algonquin Theatre [123 East 24th Street, New York, NY 10010] by July 19, 2008.
• • Get ready to come up and see Mae onstage in mid-July 2008.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • 1927 • •
NYC
Mae West.
Several New Yorkers had seen Mae West's play "Sex" more than once — — including Sergeant Patrick Keneally, who had taken an exhaustive number of notes while attending three performances at Daly's 63rd Street Theatre in the line of duty. 
• • According to Jill Watts: Only a few days later, the New York State senate passed the Wales Padlock Bill, which required the district attorney to prosecute everyone associated with an indecent production and to lock down for one year any theatre that hosted such shows. It was less severe than mandating a stage censor and allowed the power over Broadway to remain with the district attorney, who in New York was the Tammany Hall loyalist Banton. The bill now sat waiting on Al Smith's desk.
