Showing posts with label Seattle. Show all posts
Showing posts with label Seattle. Show all posts

Monday, February 20, 2012

Mae West: Corset at FIDM

An FIDM exhibit is featuring a corset worn by MAE WEST in her show "Diamond Lil" and you can come up and see it until 28 April 2012.
• • Writing for Pasadena Star-News Patt Diroll explains that there was a star-studded guest list on 11 February 2012 in California when the Fashion Institute of Design and Merchandising (FIDM) staged its reception for the annual Art of Motion Picture Costume Design Exhibition in the FIDM Museum & Galleries.
• • Patt Diroll continued: The FIDM exhibition, a collaboration between the Costume Designers Guild, the Academy of Motion Picture Arts & Sciences, the film studios and some stars themselves, also features Colleen Atwood's Oscar-winning creations from last year's "Alice in Wonderland," along with iconic treasures from the FIDM archives such as Mae West's corset; Rudolph Valentino's "suit of lights" from "Blood and Sand"; Mabel Normand's tiara; and Fred Astaire's tap shoes.
• • The exhibition is open to the public from 10:00 am to 4:00 pm through 28 April 2012 at FIDM, 919 S. Grand Ave., downtown Los Angeles. Admission is free.
• • Ramfis Diaz [20 February 1963 — 15 May 2011] • •
• • Mae West collectors are everywhere but a most extraordinary West Coast Mae-devotee has, unfortunately, left us last year.
• • Born in Tucson, Arizona, Ramfis Anthony Diaz [20 February 1963 — 15 May 2011] began his extensive acquisition of Westiana around the time that Mae starred in "Myra Breckinridge" [1970], when he was quite young. Around 1994, Ramfis, then a 31-year-old musician, instituted a yearly tradition of having a festive open house in the Hollywood area to honor Mae West on August 17th. On that first occasion, Ramfis served spaghetti. The menu broadened as the guest list grew.
• • The final shindig was held Chez Ramfis on 17 August 2010 in grand style. It seems that no one has decided to continue that joyful tradition (which lasted for 16 years) in California.
• • While many stars from Hollywood's golden era still have a fan club and/ or have been honored with a postage stamp, Mae West is not in that number.
• • If you wish to honor this extraordinary woman by starting a Mae West tradition in your city, please let us know.
• • It's interesting that certain residents in Woodhaven, Queens, NY
who have gone to great lengths to promote the ridiculous bit of misinformation that Mae's birth took place there have never bothered to institute an annual celebration (or even so much as a yearly sneezing-at-truth contest). Clearly, a touch of "reflected glory" is enough for the denizens of Woodhaven, where Mae briefly resided as an adult woman during the early 1920s. Mae's parents moved often and boundary maps have been altered since they resided in the boroughs. However, the John West family addresses included blocks in Bushwick, Greenpoint, and Williamsburg as well as in Middle Village, Floral Park, Glendale, and Woodhaven.
• • It's quite sad that residents in Brooklyn's Bushwick neighborhood, where Mae was born with the aid of a mid-wife in August 1893, have done absolutely nothing to commemorate her.
• • Why?
• • On Thursday, 20 February 1936 in Hollywood • •
• • There is a Joseph Breen PCA office memo, dated 20 February 1936, in the "Klondike Annie" PCA case file. Alas, Breen felt that Mae West was "censorable" and he never let up.
• • On Thursday, 20 February 1936 in the Pittsburgh Post-Gazette • •
• • Many newspapers including the Pittsburgh Post-Gazette reported on the script disputes and disagreements between Joe Breen and Mae West over "Klondike Annie" and these articles were published on 20 February 1936.
• • On Saturday, 20 February 1937 • •
• • The headline from London, England was "PARIS FASHIONS MAE WEST CURVES."
• • London, February 20 — The British United Press correspondent in Paris says that fashions are going all buxom, after the style of Mae West, with curving hips and busts tending towards the styles of the "Naughty 'Nineties." Two of the leading stage and film suppliers have definitely fattened their mannequins, and even Schiaparelli is outlining the curves of the body in the form of a modified hourglass by pinching the waist. Generally, it seems that the days of slimming are ending.
• • Source: UPI and reprinted on Tuesday, 23 February 1937 in Western Argus (Kalgoorlie, WA) on page 15 of that Australian newspaper.
• • On Friday, 20 February 1998 in Seattle • •
• • "Sex" written by Mae West and directed by Ed Hawkins was onstage in Washington. It was performed at Annex Theatre, 1916 Fourth Ave., Seattle, WA.
• • Until 20 February 2011 • •
• • Jann Haworth's soft sculptures such as "Mae West's Dressing Table" and "Mae West, Shirley Temple & W.C Fields," her 1967 creation made from fabric, wood, and plastic [131 x 91 cm] was being displayed as part of this show in Vienna. "Power Up — — Female Pop Art" was on view at Kunsthalle Wien, 5 November 2010 — 20 February 2011.
• • Jann Haworth's soft sculpture of Mae posed with Shirley Temple and W.C. Fields was illustrated in color on page 217 in the show catalogue.
• • In Her Own Words • •
• • Mae West said: "It just breaks my heart when the censors take out my best cracks. So in writing the screen play and dialogue for 'Go West, Young Man,' I had to be pretty careful."
• • Quote, Unquote • •
• • An article on a revival of "Sex" in Seattle mentioned Mae West.
• • Mae West went to jail for "Sex."
• • In 1927, when West's bawdy melodrama was enjoying a successful run on Broadway, it was raided and shut down by the New York City police. West went on trial and ended up serving time for a play that was deemed "obscene, indecent, immoral and impure entertainment."
• • As it turns out, those supposedly obscene, indecent, immoral parts (graphic physical movements, double entendres) are the most entertaining aspects of this fun, if rather hackneyed, piece. This Annex staging is the first time the play "Sex" has been produced since it was shut down 71 years ago. ...
• • ... The show features an energetic cast that excels at giving the right inflections to lines such as: "You have the kind of beauty that makes a savage of any man," and "Baby, you'd make a bulldog break its chain." As Margy LaMont (the Mae West role), Heather Hughes gives a lusty, commanding performance, swaggering around the stage, mugging delightfully and lip-synching to a Judy Garland song-and-dance number that's completely gratuitous — — and completely fun. . . .
• • Source: Theater review "Sex," by Mae West. Directed by Ed Hawkins. Annex Theatre, 1916 Fourth Ave., Seattle. Thursdays — Sundays through March 14, 1998. 206-728-0933.
• • Review — — Mae West's 'Sex': Honey, You Should See This Play Sometime — — written by Janet I-Chin Tu, Seattle Times Theater Critic; published on Friday, 20 February 1998 Copyright (c) 1998 Seattle Times Company
• • By the Numbers • •
• • The Mae West Blog was started seven years ago in July 2004. You are reading the 2215th blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West • as Diamond Lil in 1928 • •
• • Feed — — http://feeds2.feedburner.com/MaeWest
Mae West.

Thursday, April 14, 2011

Mae West: In the Show-Me State

MAE WEST wrote a wonderful role for herself when she created her character Tira, a novice lion-tamer who uses her whip as a career move.
• • Enjoy "I’m No Angel" on Wednesday 27 April 2011 in the Show-Me State. Ragtag Cinema's program director noted: Flush with the success of "She Done Him Wrong," Mae West was allowed full control of "I'm No Angel," and she obliged by producing perhaps her best film, a non-stop parade of brilliant one-liners and racy repartee. Director: Wesley Ruggles. Length: 87 minutes.
• • The series “Forbidden Hollywood 2” will screen a different Pre-Code motion picture on Wednesday evenings through 11 May 2011.
• • WHERE: Ragtag Cinema is located at 10 Hitt Street [half a block south of Broadway between Tenth and Short Streets], Columbia, Missouri 65201; T. 573-443-4359.
• • Quote, Unquote • •
• • Anyone remember the Mae West Fest in Seattle, Wash.?
• • Ivana Cheong writes: Stone Soup is picking up where the Mae West Fest — — an annual Seattle event that highlighted original work of female writers, producers, directors, and actors — — left off when it ended in 2007 after 10 years. One of the highlights of this event is the theatre’s first ever 24-hour, all-female playfest. ...
• • Source: Article: "The Double (XX) Fest Puts Focus On Women" written by Ivana Cheong, Fremont Universe; posted on 24 March 2011
• • By the Numbers • •
• • The Mae West Blog was started seven years ago in July 2004.
You are reading the 1899th blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West • • costumed as Tira in 1933 • •
• • Feed — — http://feeds2.feedburner.com/MaeWest
Mae West.

Tuesday, November 23, 2010

Mae West: Constance Cummings

MAE WEST co-starred in the 1932 "speakeasy" film "Night After Night" with an actress who left us during late November.
• • Constance Cummings, who was 22 when she played a socialite Jerry Healy in the movie, was born in Seattle, Washington on 15 May 1910. At age 95, the actress died in Oxfordshire, England in November on 23 November 2005.
• • Constance's blueblood persona in "Night After Night" was based on the heiress Barbara Hutton (who inherited the Woolworth fortune), who had once lived in a rowhouse on West 56th Street before it was turned into a ginmill operated by gangster Larry Fay.
• • Critiquing the film's debut, Variety (for once) was full of praise for Mae West, who overshadowed her younger and trimmer castmates.
• • Reviewer Bige wrote: Bootlegger stuff and some gangster atmosphere climaxed by and off screen shooting finish are played down to run secondary to the feminine interest. Raft is mixed up in both. The women are: a past flame (West), recently discarded sweetheart (Gibson), present head woman and "nice" girl (Cummings) and a middle-aged school teacher employed to give the mugg English lessons. When the Misses Skipworth and West are on view, together or separately, the laughs come often, and in the brief period assigned them as a team the comedy pace is even speedier. They do a virtual cross-fire two-act when doubling. Miss West's dialog is always unmistakably her own. It is doubtful if anyone else could write it just that way.
• • The way the West — Skipworth moments stand out suggests the picture could have stood more of them, but the obvious intent is to nurse Miss West along. She's tossed into this one rather abruptly and without bearing on the plot, much in the manner that Jimmy Durante has been handled by Metro. That's okay if they don't do it too often. As long as this film proves the former legit name has something for pictures it wouldn't be taking a chance to shoot the works on her from now on.
• • Miss Skipworth's intelligent painting of a cultured lady having her first taste of hotcha is a gem. Misses Cummings and Gibson are more restricted than their elders, holding down ingenue-like roles that call for looks mostly. But they deliver in every way. No leading man has been more ably supported.
• • Story is merely that of a mugg who yearns to toss off the mugg staff after falling in love at a distance with a Lady. That he winds up with his goal attained doesn't matter much, although the happy ending changes the tone that runs through the story up to them. He's told midway by one of the girls he is more likable when he's himself. . . . [Source: Variety Magazine; columnist Bige; an excerpt from a lengthy review originally published on 1 November 1932.]

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West's co-star • • Constance Cummings, 1932 • •
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Sunday, June 22, 2008

Mae West: Control Geek

MAE WEST never met Bill Gates — — but, oddly enough, he controls the rights to certain aspects of her image.
• • And now one division of Bill Gates' image-licensing company, Seattle's Corbis Corp., is renaming itself in order to make its role clearer. Corbis' Rights Services division, which owns and licenses the rights to images of deceased celebrities — — including Mae West and Steve McQueen — — will change its name to GreenLight.
• • Working with talent agencies, GreenLight will also take on the business of linking living celebrities with brands seeking famous folks to give utterly meaningless items a bit of stardust.
• • Wonder what Mae West would think about Bill Gates managing her income via the afterworld? When he dies and encounters Mae by the Pearly Gates, Bill could be in for a heckuva surprise.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo:
• • Mae West • • none
• •

Mae West.

Tuesday, March 11, 2008

Mae West: Mae West Fest

Named in honor of MAE WEST was The Mae West Fest [1996—2007].
• • The Mae West Fest had been an annual festival and celebration of women as playwrights, producers, directors, and performers. Operating on a shoe-string budget and fed by e big dreams, The Mae West Fest began a decade ago out of the need for theatre that helped nurture and challenge local women artists and playwrights in Seattle, Washington.
• • The Mae West Fest sprang from the need to have more women's work onstage in the Pacific northwest area. In 1996 founders Heidi Heimarck and Elena Hartwell were discussing the upcoming season for a small Seattle fringe company and realized that they had a pile of scripts by written by women, about 10 seasons worth. From July 31 to August 3, 1997, Seattle got its first glimpse at the festival filled with a lot of female artistic power.
• • Last year The Mae West Fest announced its first "Female Protagonist Contest," which was an invitation for female dramatists to submit full-length plays for consideration.
• • Funding has dried up, unfortunately, and The Mae West Fest 's home page — — www.maewestfest.org — — apologized for its sudden demise.
• • Is original theatre by women dead? Any visionaries out there?

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo:
• • Mae West • • none • •

Mae West.

Tuesday, December 11, 2007

Mae West: Mae West Fest

Fess up: have you heard of the female-friendly theatre company named after MAE WEST?
• • Daring the unknown to come calling, the Annual Mae West Fest offers a competitive opportunity for playwrights to showcase or develop new work through play readings and feedback, as well as possible production by Mae West Fest onstage and publication in an anthology, etc.
• • Currently, the Female Protagonist Project is a new playwriting competition offered by the Mae West Fest, a non-juried festival in Seattle, WA, of plays written and directed by women.
• • The annual Female Protagonist Project Celebration occurs during February, in Seattle, WA.
• • For more details, contact the nice folks at the Mae West Fest [320 Summit Avenue E., #1; Seattle, WA 98102] or visit them online: www.maewestfest.org

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West • • none • •

Mae West.

Tuesday, May 29, 2007

Mae West: 1932

MAE WEST co-starred in the 1932 "speakeasy" film "Night After Night" with two actresses who are linked to the month of May.
• • Constance Cummings, who was 22 when she played a socialite Jerry Healy in the movie, was born in Seattle, Washington on 15 May 1910. At age 95, the actress died in Oxfordshire, England on 23 November 2005.
• • Constance's blueblood persona was based on the heiress Barbara Hutton (who inherited the Woolworth fortune), who had once lived in a rowhouse on West 56th Street before it was turned into a ginmill operated by gangster Larry Fay.
• • Wynne Gibson, who played the "tough" cookie Iris Dawn [the dame George Raft's character Joe Anton is getting tired of], died on 15 May 1987 of cerebral thrombosis.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West's co-star • • 1932 • •

Mae West.