Mae West: Sex Act

Karen Kohler, a leggy blonde who performs numbers in three languages about women in states of heat, selected one of MAE WEST's signature songs for her current show in New York City.
• • Born in Frankfurt, Germany, Karen Kohler moved to the USA when she was a child.
• • Her new two-act show “Little Death: Songs of Coming and Going” begins with a sultry first half — — "Sex Act" — — and ends with a somber, contemplative "Death Act." The frisky first portion contains material such as Mae West's "A Man What Takes His Time" — — which Mae sang in her classic motion picture "She Done Him Wrong" [1933]. Another selection in "Sex Act" is “Gretchen am Spinnrade,” Schubert’s setting of Goethe’s poetic lament of a woman haunted by the kisses of her dead lover.
• • If Election Day wears you out, then you might want to revive your spirits by seeing Karen Kohler perform "Sex Act" on Wednesday 5 November 2008. On Thursday 6 November 2008, she will do “Death Act”; on 18 November 2008 both acts will be presented.
• • The Zipper Factory: 336 West 37th Street, New York, NY 10018 — — T. 212-352-3101.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • 1933 • •
NYC
Mae West.

Mae West was rehearsing

Was MAE WEST in the rehearsal room yesterday on West 38th Street?
• • The "Courting Mae West" cast had just run through a complex court scene set during April 1927 — — a trial that concluded when Judge George Donnellan entered and told Mae West that the jury found her guilty, that she is going to jail, and that on April 19th sentencing would be imposed.
• • Based on true events, this is an emotional scene, featuring Mae's German-born mother Matilda West reacting to the verdict by standing up and pleading with the judge not to jail her daughter again.
• • "Why do you make bad laws in this country that punish good people?" yells Matilda West before stumbling and falling. A melee begins as the reporters photograph and crowd around Mae West — — who is trying desperately to reach her mother.
• • The cast had just paused for a food break and director Louis Lopardi was about to announce the time of the next rehearsal (which is tomorrow on Monday).
• • The windows in the rehearsal room are closed and covered with heavy paper and hidden behind heavy black curtains.
• • Suddenly, the thick black curtains moved — — and THREE empty CHAIRS and a TABLE moved in unison about 2 feet into the room.
• • The cast found this occurrence quite strange.
• • Mae West, was that you?
• • "COURTING MAE WEST" opens at 6 o'clock on Saturday night July 19, 2008 at the Algonquin Theatre [East 24th Street and Park Avenue South].
• • "COURTING MAE WEST" — — showtimes
• • July 19th, 2008 — — 6:00 PM
• • July 20th, 2008 — — 2:00 PM matinee
• • July 21st, 2008 — — 6:00 PM
• • July 22nd, 2008 — — 9:00 PM
• • Tickets to "COURTING MAE WEST" are $18 per adult.
• • Theatermania.com sells the tickets — — http://www.theatermania.com/content/show.cfm/show/144297
• • Questions? Phone 212-779-3051.
• • The play is 95 minutes.
• • Get ready to come up and see Mae West, Texas Guinan, and the gang onstage in mid-July 2008.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: • • Mae West • • "Sex" trial April 1927 • •
• • Photo: • • Mae West cast • • Eric Eastman plays Barry O'Neill • •
NYC
Mae West.

Mae West: "M" as in . . .

The past is another country — — and MAE WEST was most comfortable there.
• • However, in her Broadway blockbuster "Diamond Lil" [1928] Mae's aim was not to resurrect the naughty nineties — — but to present that bygone decade's sins in shifty soft focus. The world of Diamond Lil, restrained by Victorian morality despite a certain cheeky daring, was a backwards glance to a time of innocence, picturesque entertainment, well-behaved wildness, corset-clad temptresses, The Police Gazette's seductions, and 5-cent beer.
• • Drama critic Stark Young [1881—1963] analyzed Mae's clever maneuvers in his article for The New Republic:
• • "Diamond Lil" is as daring in the end [as 1926's "Sex"], the same sexy morsels, embraces, interventions of the law with rank suspenses, frank speeches, underworld, and so on. But it is more covered, continuous, and studied than the other production, and the crowd of characters, the costuming and vaudevillistic intervals, pull the whole of this later play into a more familiar style, less crudely, and sheerly singular than "Sex" appeared to be [excerpt from The New Republic — 27 June 1928].
• • Louis Lopardi, who will direct "Courting Mae West: Sex, Censorship and Secrets" in July at the Algonquin Theatre, also feels enriched by the past. His own production — — The Purgatory Project, Part 2 — — reimagined the lives led by four famous historical figures: Sigmund Freud, Peter Ilich Tchaikovsky, J. Robert Oppenheimer, and Lee Harvey Oswald.
• • A history buff as well as a thespian, Lopardi especially enjoys plays with a classical echo, texts rooted to a mythic past. For instance, he found "Metamorphoses," a play based on the Greek poem Metamorphoses by Ovid, fascinating and he relished the modernized adaptation written by Mary Zimmerman a few years ago. Ovid works onstage because those depictions of yearning and confused desires are timeless, feels Lopardi.
• • Since he has frequently decanted Ovid's ancient songs, he noticed right away the mythic skin underneath "Courting Mae West" — — the Brooklyn bombshell's story reimagined as the metamorphosis of King Midas. How you get the golden touch is one of the subtle sub-plots here. As Mae's career goals recalibrate her box office appeal, she will earn her hard cold slice of success — — but at a cost.
• • "I like a multi-layered comedy," admits Lopardi. "The best shows make you laugh for an hour and a half — — and then, untethered from your Playbill, you mull it over at home."
• • Bringing "Courting Mae West" to an audience requires funding. To support A Company Of Players, a non-profit theatre group established in 1979 to present meaningful theatre, please click on this link — — http://www.companyofplayers.com/support.htm
• • A Company Of Players is recognized by the IRS as a 501(c)3 type organization, and donations to the group are considered a charitable, tax-deductible contribution.
• • Contribute through "Pay Pal" or you can mail a check to: A Company Of Players, 545 Eighth Avenue, #401, New York NY 10018-4307.
• • "Courting Mae West: Sex, Censorship, and Secrets" will be onstage at the Algonquin Theatre [123 East 24th Street, New York, NY 10010] soon after the Independence Day holidays.
• • Get ready to come up and see Mae onstage in mid-July 2008.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml
Mae West
• • Photo: Mae West • • none • •
NYC
Mae West.

Mae West: The Captive

MAE WEST was arrested on 9 February 1927 along with the cast of "Sex" and the cast of "The Captive." Snooty Basil Rathbone, who died in July [on 21 July 1967 in New York, NY], was cuffed and brought downtown to Jefferson Market Police Court along with Helen Menken and their co-stars.
• • Born in South Africa on 13 June 1892, Basil Rathbone was one year older than Mae West — — but in his mind, he was worlds apart even though they were both starring on Broadway in 1927.
• • During the 1920s, most of Basil Rathbone's work was in the legitimate theater. For many of his Broadway roles he portrayed a suave, sophisticated seducer of women — — quite a change from the legendary ascetic Baker Street detective he would play later in his career.
• • Making a sensation at the Empire Theatre [on Broadway and West 40th Street] was a drama that had been highly regarded in Paris: "The Captive." Basil Rathbone was cast in the role of Jacques Virieu, a young man engaged to be married, only to discover that his fiancée [played by Helen Menken] is in love with someone else — — a woman. Since homosexuality was such a controversial topic during the Roaring Twenties, the entire cast was charged with offending public morals, and the play was closed.
• • Rathbone was very angry about the censorship of his work, but even more aggrieved that show people would start whispering that he was arrested and booked — — with Mae West.
• • For years, Basil Rathbone and his wife made their home at 135 Central Park West. Mae lived in several westside locations, occasionally not far from Rathbone. But there is no record of their taking tea together to reminisce over their arrest on indecency charges in 1927.
• • Brush up on your Mae West lines right on Broadway on Friday evening 17 August 2007, when a guided tour will explore Manhattan's WEST-side during the "Mae West Side Story" walking tour. The event — — open to the public — — is timed to salute Brooklyn's own sexpot on her birthdate. [See the Annual Mae West Gala posting below.]
• • Only 18 more days until Mae's birthday!
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
________
Source:http://maewest.blogspot.com/atom.xml

Mae West
• • Photo: • • Mae West's partners in crime, Rathbone and Menken • • 1926 • •
NYC
Mae West.