Showing posts with label Shubert Theatre. Show all posts
Showing posts with label Shubert Theatre. Show all posts

Tuesday, October 04, 2011

Mae West: Kooky Criswell

MAE WEST appeared in a successful long-running engagement on Broadway in "Sometime," a musical comedy.
• • It was on Saturday, 4 October 1918 that "Sometime," the "musical comedy of commerce" designed to showcase the talents of laughmeister Ed Wynn, had opened at the Shubert Theatre (establishing a nice healthy wartime run that continued for eight months at the Shubert brothers' flagship: 225 West 44th Street, New York, NY).
• • At 25 years old, Mae West was still much more accustomed to appearing in vaudeville than in the legit. In "Sometime," it was Mae's character Mayme Dean who appeared onstage first. At that point in her career, Mae had often been cast as an Irish maid — — although Mayme Dean is a frisky flapper who cannot land a man.
• • In October, Let's Remember Criswell • •
• • Born in Princeton, Indiana on 18 August 1907, Jeron Criswell King wrote several books of (erroneous) predictions, including 1968's "Criswell Predicts: From Now to the Year 2000." In it, he offered very strange predictions about Mae West. For instance, he foretold her rise to President of the United States, whereupon she, Criswell, and George Liberace (the brother of showman Liberace) would take a rocket to the moon. According to Criswell, he and Mae West were "great friends" and he claimed that she would lavish him with home-cooked food she had delivered to the studio that he shared with Maila Nurmi ("Vampira").
• • Mae, who used Criswell as her personal psychic, sang a song called "Criswell Predicts" on the album "The Fabulous Mae West" [1955].
• • Criswell died of cardiac arrest in Burbank, California in the month of October — — on 4 October 1982. He was 75 years old..
• • On Monday, 4 October 2010 • •
• • In Granada, Spain on Monday, 4 October 2010, it was the fifth anniversary of the Mae West nightclub there, a popular hotspot. The venue planned for a lavish celebration "at a truly gigantic level," according to their announcement last year.
• • The Mae West Blog featured the Mae West nightclub when it first opened its doors. Happy Sixth Anniversary to Spain's Mae West Club.
• • In Her Own Words • •
• • Mae West said: “I’ve been things and seen places.”
• • Quote, Unquote • •
• • An essay about women's sexuality mentioned Mae West.
• • Linda Jaivin writes: The two concepts, the alleged virtue of women and their lack thereof are intimately related. Ever since Eve copped the rap for getting her and Addie thrown out of Paradise, women have been forced to protest 'I'm not Eve! I'm not Eve! I'm a good girl.' The ladies doth protest too much, methinks. Give me Mae West any day. She's no lady, and I much prefer her attitude: 'A hard man is good to find.' 'I was Snow White ... but I drifted.' . . .
• • Source: Essay: "Women Love Sex” written by Linda Jaivin for Random House; posted in 1997
• • By the Numbers • •
• • The Mae West Blog was started seven years ago in July 2004. You are reading the 2073rd blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Thursday, June 30, 2011

Mae West: Don De Leo

MAE WEST was surrounded by a large cast when she starred in "Catherine Was Great," which opened at the Shubert Theatre in August 1944. When Don De Leo was offered the role of Ambassador Murad Pasha, it was the 40-year-old actor first time on Broadway. After that show, he was seen as Jerry Bonanza in "Billion Dollar Baby" and in "Don't Drink the Water" among other productions.
• • Born in the month of June — — on 30 June 1904 — — Italian American actor Don De Leo typically was cast in ethnic roles. In his first motion picture "Lying Lips" [1939] he played Farina, a brutish Italian American club owner. In his final film, "The Incident" [1967] he played a father, Mr. Carmatti. After being involved with 14 productions on the big screen and on TV, De Leo concluded his professional career as a standby in the long-running comedy "Don't Drink the Water" written by Woody Allen and produced by David Merrick. Don De Leo died in New York City on 14 August 1979. He was 75.
• • Where They Lived — — Jimmy Walker • •
• • Born in Greenwich Village in June 1881, James John Walker was the Mayor of New York City from 1926 — 1932. A ladies man, Beau James lived with his wife on Saint Luke's Place and shared a love-nest with his mistress Betty Compton, a Ziegfeld Follies showgirl, on Gay Street, a curvaceous lane in the shadow of Jefferson Market Court.
• • Handsome, well-connected, and smartly dressed, Walker waltzed into City Hall during a time of great prosperity and the initial years of his mayoralty were filled with many public works projects.
• • However, Walker's term was also known for the proliferation of speakeasies during the Prohibition Era. His romances with "chorus girls" and visits to night clubs were widely known. And he was reluctant to play the part of City Hall Grinch when it came to muzzling frisky Broadway plays — — such as "Sex" — — until his Deputy Mayor forced his hand in February 1927. Eventually, a corruption scandal pressured him to resign. He did leave his wife, Janet, for his lover Betty without impairing his popularity though.
• • In Her Own Words • •
• • This hilarious conversation between Mae West and Queen Marie of Romania appeared in the magazine Vanity Fair — — "Impossible Interviews — no. 7" [June 1932 issue].
• • Miguel Covarrubias’s “Impossible Interviews” series traditionally portrayed two contemporary figures from opposite ends of the political, social, ideological, or artistic spectrum, in other words individuals who, in reality, would not have ever met nor cozied up to a fireside to chat.
• • DOWAGER-QUEEN MARIE: . . . feel so neglected these days. Nobody reads what I write, nobody wants my autobiography, takes my picture for the newsreel, or interviews me or asks me to endorse a cold cream. No­body cares if my little heart breaks — — into print.
• • MAE WEST: What I mean, Sister, lemme put you wise. Royalty don't get you any place, any more. Today they only want the kind of a Queen they can hold on their laps. Lookit me, for instance. Every other inch a Queen, from hips to whoozis.
• • MARIE (proudly): Do you mean I'm not a Queen?
• • MAE WEST: In that outfit, Sister, you ain't even a two spot. Why, you haven't got a royal air.
• • MARIE (thoughtfully): You may be right although Carol gave me the royal air a year ago.
• • MAE WEST: If you want to be a real Queen like I am you got to grin and bare it! Take off those black veils. Be yourself, Queen! Show 'em a royal flush!
• • MARIE: Then will I really be a Queen, like you, Mae?
• • MAE WEST (reassuringly): Of course, dearie. Aren't we all sisters under the skin?
• • Quote, Unquote • •
• • California reporter Douglas Alger wrote: A billboard of a woman in a low-cut bra, lace underwear, stockings and high heels has angered a group of residents who say the image demeans women and is inappropriate for children. During the month that the sign — — an advertisement for the Naughty But Nice lingerie shop in Saugus — — has been on Soledad Canyon Road, offended citizens have gathered more than 1,500 signatures asking that the city do something about it. The billboard's critics say the advertisement — — which shows the woman straddling a chair and also includes the Mae West quote,"When women go wrong men go right after them" — — is more suitable for an adult magazine. ...
• • Source: Article: "Santa Clarita / Antelope Valley : Lingerie Shop's Revealing Billboard Is Criticized by Residents" written by Douglas Alger, Los Angeles Times; published on 16 June 1994
• • By the Numbers • •
• • The Mae West Blog was started seven years ago in July 2004. You are reading the 1977th blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Monday, July 19, 2010

Mae West: Broadway Rush

The challenge of stepping into the shoes of a Russian ruler was a long time coming for MAE WEST. Known for comedies, novelty numbers, the shimmy, fast taps, and suggestive stage frolics, the Brooklyn blonde was not readily seen as the type to helm a serious historical drama.
• • But prior to the Broadway premiere of "Catherine Was Great" on 2 August 1944 at the Shubert Theatre, the Empress of Sex ran into many other over-heated complications during the month of July.
• • If you've ever produced a play or sat in to observe rehearsals, you are aware that a large cast takes up space and costs money to costume (which includes the wigs, make-up, hats, crowns, props, etc.).
• • Always trying to keep actors employed, Mae West usually went overboard when hiring. In 1944, the main cast numbered around three dozen
— — in addition to the barge-load of individuals hired to portray the empress's six ladies-in-waiting, nine soldiers, two ushers, six councillors, six guards, henchmen, peasants, waiters, and even a chimney sweep.
• • According to an article in Billboard Magazine [The Billboard, 12 August 1944], Mike Todd and Mae West shared the financial burden of mounting this costume drama — — $150,000, not an inconsiderable sum during the World War II era. And though she often hired inexperienced actors and actresses for the minor roles, Mae West sought out the best costume people and set designers. Despite the savage reviews that would greet the star's own efforts, the critics heaped praise on the production itself, calling the scenery "as beautiful as Howard Bay's best" and rhapsodizing over lavish details such as the fireplace set in Count Mirovich's apartment and the decor of the ghoulish "secret room" of Ivan VI where a murder occurs.
• • During the month of July
— — when Catherine II began her reign as Empress of Russia on 9 July 1762 — — there would have been a lot of ceremonial fuss, sewing, hand beading, and dress rehearsals going on between July 9th and the mid-September coronation. Could Catherine the Great's court been as large as Mae West's retinue, you may wonder.
• • Imagine the crowds that gathered during July 1944 in front of the Shubert Theatre [225 West 44th Street], trying to buy tickets to opening night for Wednesday 2 August 1944 as the carpenters and lighting designers readied these elaborate sets. Imagine the critics sharpening their pencils. Imagine Mae West and Mike Todd . . . warming to a discussion about the budget. Hot times.
• • • • West 47th Street on 14 August 2010 • • • •
• • This summer join the Mae-mavens in the theatre district next month. The live entertainment will be hot and especially exciting on Saturday, 14 August 2010 when two swell broads head back to Broadway — — Sophie Tucker along with Mae West.
• • Continuing her custom of commemorating the birthday of Mae West, playwright LindaAnn Loschiavo has a most exciting late-night treat in store this year: The Gaudy Girls, two talented beauties who perform the best-loved songs made famous by Sophie Tucker and Mae West. As part of their repertoire, the ladies will spotlight a tribute to the NYC-based composers and lyricists who created popular numbers such as "My Yiddishe Momme," "Red Hot Mama," "Everybody Shimmies Now," "My Old Flame," "Baby, It's Cold Outside," and more.
• • It's one night only so plan to come up and see Mae — — and Sophie. Details below.
— — — — — — — — — — — — — — — — — —
— — — — — — — — — — — — — — — — — —
• • WHERE: ACTORS TEMPLE, 339 West 47th Street, New York, NY 10036 [where SOPHIE TUCKER was one of their first vaudeville members in 1923]
• • WHO: MAE WEST [Anne Marie Finnie], SOPHIE TUCKER [Maggie Worsdale], presented and introduced by playwright LindaAnn Loschiavo
• • WHAT ELSE: Shimmy lessons, raffle prizes, goodies, and a chance to win deluxe European scarves featuring MAE WEST’s quotes.
• • SUBWAYS: IND: C, E to West 50th Street station; BMT: N, R, W to West 49th Street station — — exit on the West 47th Street side.
• • GENERAL ADMISSION: $15. VIP service and Group Sales available.
• • URL: TheGaudyGirls.com

— — — — — — — — — — — — — — — — — —
— — — — — — — — — — — — — — — — — —
• • Tell them you heard about it on the MAE WEST BLOG.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Thursday, August 27, 2009

Mae West: Suddenly Sam

Since MAE WEST enjoyed a long association working for the Shubert brothers, it would be remiss not to give Sam his due on this date.
• • Born in Neustadt, Poland during the month of August — — on 27 August 1878 — — Samuel S. Shubert emigrated to America with his parents and siblings and was raised in Syracuse, New York.
• • Due to his father's alcoholism, which kept the family in precarious circumstances, young Sammy began shining shoes and, eventually, snagged better wages indoors at the Grand Opera House, where he sold souvenir programs and helmed the box office. Despite his lack of formal education, Sam Shubert was a math whiz and soon got a promotion to the position of assistant treasurer at the Wieting Theatre, the pride of Syracuse. Thinking big, Sam Shubert decided to focus on producing stage plays. With borrowed financing, he set out with his two brothers to operate playhouses in upstate New York, and then expand into midtown Manhattan.
• • During May 1905, as Sam Shubert was traveling to Pittsburgh, Pennsylvania on business, the passenger train he was on had a serious collision. Severely injured in the train wreck, 26-year-old Sam Shubert succumbed to his injuries two days later on 13 May 1905. His body was brought back to Manhattan for prepared for burial in the Salem Fields Cemetery in Brooklyn.
• • In 1913, Sam Shubert's brothers opened a prestigious new venue at 225 West 44th Street, in the heart of the bustling Broadway theatre district, which was named in his honor. Mae West enjoyed many bookings there starting with "Sometime."
• • The Sam S. Shubert Theatre, which remains in operation today as one of the great landmarks of The Gay White Way, was the starting point for the Mae West walking tour (which took place on 16 August 2009). To see this flagship building, have a look at the tour photos.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Saturday, August 22, 2009

Mae West: Vanishing Sob

In the summer of 1919 MAE WEST was on Broadway performing in "Sometime" — — ninety years ago — — when she was 26 and more used to appearing in vaudeville than the legit. The "musical comedy of commerce," designed to showcase the talents of laughmeister Ed Wynn, had opened at the Shubert Theatre on Saturday 4 October 1918 (and went on to enjoy a nice healthy run until June 1919 on West 44th Street).
• • It was Mae's character Mayme Dean who appeared onstage first. But the play's heroine, the actress who got to sing the titled tune "Sometime," was 20-year-old Francine Larrimore, who was born in the month of August — — on 22 August 1898. The New York Times drama critic enjoyed her rendition, adding that her theatrical presentation had "a touch of distinction."
• • Born in France into one of the great acting families of the Yiddish Theater, the Adlers, Francine Larrimore emigrated to America in 1905.
• • By 1910, this beauty made her debut in "Where There’s a Will" at Webber’s Theater in New York. Frequently cast in temperamental "pouty girl" roles, Francine Larrimore worked quite regularly on the Great White Way in a number of musicals and farces. She had training and could put across a song as well as act, dance, and flounce around with elan.
• • A Haunting, Vanishing Sob • •
• • Here's how The New York Times reviewer described her voice: "She has, in fact, a wistful, childlike quality, and a haunting vanishing sob in her voice that go straight to one's sympathies. It is she [who was cast in the role of Enid Vaughn] who sings the theme song 'Sometime,' and she is almost equally appealing in the second act with 'Baby Doll'."
• • Her Broadway fame lasted from 1917 — 1929, though she was seen onstage in a great many plays for almost 25 years. In 1926, when "Roxie Hart" bowed at the Music Box Theatre in New York City, Francine Larrimore originated the title role of the Cook County murderess who hires lawyer Billy Flynn.
• • After a handful of silent films and much acclaim in mainstage productions, Miss Larrimore was cast in the none too successful motion picture "John Meade’s Woman" [1937].
The actress left her fans bereft when she passed away on 7 March 1975 with (or without) a haunting, vanishing sob.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Thursday, August 20, 2009

Mae West: An Empress Impressed

It was August 1944 and MAE WEST was back on Broadway at the Shubert Theatre wearing furs, jewelry, a tiara, and a rather chilly and serious expression.
• • Czarina Catherine, who was born on 2 May 1729 and died on 17 November 1796, reigned as Empress of Russia for 34 years, from 28 June 1762 until her death — — which was not caused by post-dramatic stress disorder.
• • Though the play was neither hilarious nor a big box-office draw, it did eke out 191 performances.
• • Time Magazine's drama critic made this assessment.
• • "Catherine Was Great" (by Mae West; produced by Michael Todd) is an opulent and incredible fancy-undress affair in which the queen of all the sirens essays the Empress of All the Russias. "Catherine," said Mae West in a first-night curtain speech, "had 300 lovers. I did the best I could in two hours." For a while her best was reasonably good: she seemed to make Lords of the Bedchamber of the whole Russian court and boud-warriors of half the Russian army. As she followed her hips about the stage in a solemn slink, as she languidly drew shameless innuendos from her husky throat, Actress West caught some of the aplomb, humor and matchless vulgarity of her "Come up and see me some time." But pretty soon her unvaried role began to pull and so, soon after, did her unvarying way of playing it.
• • Worse yet, the man-eater in Catherine was not enough for Actress West; she insisted on encompassing the Empress as well, and far from spoofing the imperial manner, tried to outdo it. When a courtier reminded her that "They also serve who only stand and wait," she replied "Quoting Milton's 'prome,' I presume!" She had sponged up enough history to soak her play with wars, uprisings and palace intrigues. But the excitement was conveyed in dialogue that had the specific gravity of lead, and the results, when not merely sedative, were often crushing.
— — Source: — —
• • "The Theatre" Column: "Catherine Was Great"
• • Published in: Time Magazine — — printed edition
• • Published on: Monday, 14 August 1944
• • • • • • • • • • • • • • • • • • • • • •

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Tuesday, August 18, 2009

Mae West: A Zippy Trip

Many publications saluted the August 17th birthday of MAE WEST.
• • Playbill, marking "this date in theatre history," has managed to get her birth year wrong and also tripped up on the stage plays in which she appeared. No, Mr. Playbill, Mae West wrote The Drag but did not star in this 1927 production since she was still appearing in her play Sex at the time.
• • Other news outlets recognized the writer and comedienne as "an actress from the 1930s," erasing her long career in vaudeville and on Broadway, which preceded her 1932 Paramount debut when Mae was an "overnight sensation" at 39 years old.
• • A more faithful close-up was offered on Sunday in the Brooklyn blonde's hometown when a group of Mae-mavens gathered along Shubert Alley to learn how she forged her dreams of deliverance in Times Square along with her diamond-draped colleague Texas Guinan.
• • Attendees posed for pictures in the same spot where the graceful, well-groomed Bucephala, Texas Guinan's horse, was mounted 82 years ago — — that magnificent creature who carried the queen of the night scene up the center aisle of the Shubert Theatre and deposited her onstage as the red velvet curtain was raised for
Padlocks of 1927.
• • Ah, Longacre Square, the legitimate theatres, those expensive playhouses built to look like a palazzo, a Tuscan hillside hideaway, a marble mansion, a Venetian villa, a Georgian fantasy — — where little Mae held her mother's hand as they waited for an usher to seat them, lavishly spending each moment of a matinee, drinking in the illusion of the drama in which the mountain of self might have no top, and each encounter might be a reckoning with fleet-footed fate.
• • On Sunday August 16th, the patient assemblage viewed vintage news clippings that decorated the disappointments of another century — — front page humiliations, the raids, the padlocks, the prison sentences, and the losses of a $200,000 advance for Pleasure Man after the purity police shuttered the show on 1 October 1928. They genuflected and strolled down the aisle of St. Malachy's, the church where Texas Guinan and Mae West examined the coffin of Rudolph Valentino
[6 May 1895 — 23 August 1926] in August 1926 and mutually agreed the hardy 31-year-old must have been poisoned.
• • On West 54th Street, thanks to a gracious doorman, the tour takers paused in the same vestibule where Mae West entered and exited in 1927 as she was writing Diamond Lil and getting better acquainted with Owney Madden and others who bulleted the headlines.
• • Perhaps West 54th recalls the roll calls of absent names, first kisses, the confetti victory parades in an era when Mae West's latest show was billed as "hotter than the Armistice."
• • • • Prizes • • • •
• • And the group has something else to remember as well — — a handful of raffle prizes. A number of individuals each won a colorful Mae West magnet, a few screened with film posters, stage plays, or her one-liners. Two lovely ladies — — Denise from Manhattan and Karen from Pittsburgh — — each won a "Gaudy Girls" CD, courtesy of Maggie Worsdale and Anne Marie Finnie, who perform live as Sophie Tucker and Mae West. Everyone received a "Gaudy Girls" flyer announcing their next racy performance at Monticello Raceway and Casino on 21 October 2009. And two lucky lasses won a treasured set of Texas Guinan's silent films — — fashion model Gwen Bucci from Manhattan and art curator Frédérique Joseph-Lowery from Fairlawn, New Jersey — — courtesy of an avid Texas Guinan archivist.
• • Exciting news is on the horizon. More anon.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Monday, August 03, 2009

Mae West: Malicious Maila

The challenge of stepping into the shoes of a Russian ruler was a long time coming for MAE WEST. Known for comedies, novelty numbers, the shimmy, fast taps, and suggestive stage frolics, the Brooklyn blonde was not readily seen as the type to helm a serious historical drama.
• • But once "Catherine Was Great" opened on 2 August 1944 at the Shubert Theatre, the Empress of Sex ran into other over-heated complications.
• • One of the actresses who played a Lady-in-Waiting in the czarina's court was billed as Mila Niemi. More commonly known as Maila Nurmi [1921 — 2008], the Finnish-American performer brought a heavy accent to the role and, apparently, an even heavier ego.
• • Maila Nurmi, 23 years old in 1944 and a striking high-cheeked beauty, was soon fired from the Broadway cast because Mae West feared she was being upstaged.
• • During the 1950s, Maila Nurmi went on to create the campy character Vampira. Her portrayal of this undead vixen — — as television's first sassy horror host and in the Ed Wood cult film "Plan 9 from Outer Space" — — became quite influential in this genre.

• • Let's imagine the crowds that gathered during August 1944 in front of the Shubert Theatre [225 West 44th Street] to try to buy tickets or get Mae's autograph.
• • An enthusiastic group will gather in the same spot on 16 August 2009 for a walking tour — — "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District" — — and we hope to see you, too, at 4 o'clock that Sunday.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Saturday, August 01, 2009

Mae West: Rae in August

An amusing article appeared about Rae Bourbon, who performed on Broadway with MAE WEST.
• • "Eventually Rae Bourbon had his own club on Sunset Strip in L.A., where he hobnobbed with Hollywood elite such as Mae West and Bob Hope. He released dozens of comedy and bawdy-song records on several labels, including his own, UTC (Under The Counter, where one often found the risqué records in a shop)," writes Nick DiFonzo [Houston Press, "Cutout Bin: Rae Bourbon — — Let Me Tell You About My Operation," Friday, 31 July 2009].
• • Born in Texas as Hal Wadell, the vaudeville comedian and female impersonator called himself either Ray or Rae Bourbon [11 August 1892 — 20 July 1971] onstage. Not unlike that other not-very-beautiful entertainer born during August — — Madonna — — Bourbon kept his bookings going by navigating a shifting terrain of social attitudes about gender, censorship, bisexuality, transgression, transvestism, bawdiness, and sheer snark.
• • A memorable date for Rae Bourbon took place 65 years ago — — the Broadway debut of "Catherine Was Great," when Mae West portrayed the Empress of Russia and Bourbon had a minor role as Florian.
• • Let's imagine the crowds that gathered on 2 August 1944 in front of the Shubert Theatre [225 West 44th Street] to celebrate this grand premiere.
• • An enthusiastic group will gather in the same spot on 16 August 2009 for a walking tour — — "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District" — — and we hope to see you, too, at 4 o'clock that Sunday.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Friday, July 17, 2009

Mae West: Tour & Texas

Join us for an a-MAE-zing afternoon focused on Mae West & Texas Guinan!
• • On 16 August 2009, come up and enjoy an a-MAE-zing experience — — a walking tour of historical sights in the Times Square area. This year the Annual Mae West Birthday Tour also commemorates speakeasy hostess Texas Guinan, the generous friend who backed all of Mae’s Broadway shows during the 1920s.
• • During April 1929, the Feds padlocked the CIub Intime at the Hotel Harding, where Texas Guinan [1884
1933] was the principal attraction. On August 16th, attendees will visit this speakeasy, which is doing brisk business these days.
• • Walking Tour: "Gaudy Girls on The Gay White Way: Mae West & Texas Guinan in the Theatre District"
• • When: 4:00 PM on Sunday — — 16 August 2008 — — rain or shine
• • Meet: Shubert Alley, 44th Street, West of Broadway, New York, NY 10036
• • Price: $10 [this walking tour lasts about 90 minutes]
• • Subway: N or R [BMT] train to West 42nd Street; 1 [IRT] train to Times Square
• • Attire: why not wear a Mae West-inspired hat?
• • Info: T. 212-614-9683 — — or post your RSVP or tour question here
• • Online: MaeWest.blogspot.com — — TexasGuinan.blogspot.com
• • Who: Playwright LindaAnn Loschiavo makes the tour educational and entertaining.
• • LindaAnn Loschiavo's history play "Courting Mae West" was onstage in July 2008 at the Fresh Fruit Festival. She is working on a biographical travel guide "Mae West's New York, 1899—1959" and will show some of her unusual theatre memorabilia and vintage photos during the tour and reveal secret addresses tied to Mae West that have not been disclosed before. These rare pictures show the area as it looked during the 1920s when Mae West and Texas Guinan had their name on several marquees.
• • Surprises: Prizes and other nice things are part of the fun
• • Members of the press may attend on August 16th as our guest. RSVP required.
• • • • Mae West Walking Tours You Might Have Enjoyed • • • •
• • 2006 TOUR: Our regular Mae-mavens will recall seeing the historical exhibition "Onstage Outlaws: Mae West and Texas Guinan in a Lawless Era,” which opened to the public after a Gala Roaring-20s theme Press Preview on Mae’s birthday 17 August 2006. And on Sunday afternoon 20 August 2006, more than two dozen beautiful people gathered on West Ninth Street to enjoy a special treat — — "Washington Square Women: Mae West and Texas Guinan in Greenwich Village" — — followed by a Jazz Era brunch served with champagne and the Cos-MAE-Politan cocktail, garnished with two strategically placed plump raspberries.
• • 2007 TOUR: On Friday evening 17 August 2007, a fascinating guided adventure — — "The Mae West Side Story" — — escorted numerous intrepid walk-abouts to three of Mae's former residences along with other sites linked to the Brooklyn bombshell.
• • 2008 TOUR: On Sunday afternoon 17 August 2008, the captivating Diamond Divas led a group of over two dozen Mae-mavens to several locations in Greenwich Village linked to her stage career, gay themes, courtroom woes, and the work of individuals she admired such as Lillian Russell, Tony Pastor, Texas Guinan, Eugene O'Neill, and Rae Bourbon. The 2008 walking tour — — "Mae West's Walk on the Wild Side" — — celebrated the 115th birthday of the Empress of Sex with an extravagant musical program, performed live by Met Opera soprano Marlena de la Mora and Sharon Weinman, which included these numbers: "Everything's Coming up Mae West"; "Mon Coeur S' Ouvre a Ta Voix"; "The Prisoner's Song"; "Frankie and Johnny"; "Come Down Ma Evening Star"; "I Could Have Danced All Night"; "Gentleman Jimmy"; and a grand finale taken from the score of "Diamond Lil."
• • Tour photos can be seen on the Mae West Blog.
• • For more details, do read this blog and/ or post your email. [Your info will not be posted nor available so that miscreants and rascals can access it.]
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Tuesday, June 30, 2009

Mae West: Remembrance

MAE WEST loved music but her choices had little to do with with Mozart, Grieg, Chopin, or salon society. The blues compositions that got Mae moving had more in common with the wooden tables of smoky saloons. Many music-makers have grooved to the Empress of Sex. Hollywood resident Ramfis Diaz — — a handsome 47-year-old musician possessed of charm and deftly adorned by a-Mae-zing tattoos inspired by the Brooklyn bombshell — — is in that group.
• • Having read an article about the screen queen's long-standing relationship with the professional fighter William "Gorilla" Jones, Ramfis Diaz decided to give the journalist a ring — — and here is the aftermath.
• • Mark J. Price, Beacon Journal staff writer, did a follow-up feature, titled "Gorilla Jones story a virtual knockout: Mae West fan pleased to learn about Akron boxer's role in life of actress."
• • Mark J. Price writes: Hollywood musician Ram Diaz, 47, called to say he loved our story about Akron boxer William ''Gorilla'' Jones (1906
1982), a former middleweight champion who was posthumously inducted into the International Boxing Hall of Fame this month.
• • Ramfis Diaz is a big fan of screen legend Mae West (1893
1980), who employed Jones as a bodyguard and chauffeur after he retired from the ring. Jones and West were close companions for 40 years and might have been romantically involved.
• • ''I didn't know much about Gorilla Jones because she was so secretive about her men,'' Diaz said. ''Mae West didn't kiss and tell. She might have given you a clue here and there.''
• • He believes such a clue can be found in West's 1932 movie "Night After Night," in which George Raft plays an ex-boxer. It was the same year that Jones won the middleweight title.
• • In one scene, Mae West remarks: ''Hey, Gorilla. Come here.''
• • ''She was given full right to rewrite her scenes in that movie,'' he said. ''So I know for a fact that she put that name in there.''
• • A lifelong collector of memorabilia, Diaz has been enamored with West since he saw My Little Chickadee on TV as a boy in the 1960s. He lives in a building near the late star's Ravenswood apartment complex.
• • ''I can actually see her bedroom window from my bedroom window,'' he said.
• • Since 1988 [when he was 26 years old], Ramfis Diaz has thrown a Hollywood birthday party in Mae West's honor every August 17 on the roof of Gramercy Tower in Hancock Park and in his top-floor apartment. The potluck dinner, which is open to the public, includes some of West's inner circle of friends, including Kevin Thomas, Tim Malachosky, and Chris Basinger.
• • Not all guests are acquainted with Mae West's work, though.
• • ''There's a lot of people that really don't know much about her, but they get educated when they arrive,'' Diaz said.
• • He praised the Beacon Journal article for teaching him something new.
• • ''That's the fascinating thing with Miss West,'' he said. ''There's always something new.''
• • Mark J. Price is a Beacon Journal copy editor. He can be reached at 330-996-3850 or send e-mail to mjprice@thebeaconjournal.com.
— — Source: — —
• • Column: "This Place, This Time: Going West"
• • Gorilla Jones story a virtual knockout: Mae West fan pleased to learn about Akron boxer's role in life of actress
• • Byline: Mark J. Price | Beacon Journal copy editor
• • Published in: The Akron Beacon Journal — — http://ohio.com
• • Published on: Monday, 29 June 2009
• • • • • • • • • • • • • • • • • • • • • •
• • • • • • • • • • • • • • • • • • • • • •
• • In her hometown, New Yorkers also celebrate Mae West's birthday. One event open to the public is the Annual Mae West Walking Tour, which will be held on Sunday 16 August 2009. This year the walking tour begins at Shubert Alley and proceeds uptown to Mae's WESTside apartment. To get more details, read this blog and/ or post your email. [Your info will not be posted nor available so that miscreants and rascals can access it.]

• • The tour takes a path up and down blocks associated with Mae West's career. For instance, the speak run by the George Raft character in "Night After Night" [1932] was based on Club Napoleon, a speakeasy on the grand scale, once located at 33 West 56th Street on a fancy block of Beaux Arts mansions. Years before it became an illegal ginmill, 33 West 56th had been the childhood home of Woolworth heiress Barbara Hutton.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Monday, June 15, 2009

Mae West: Shubert and Herts

In June 1919 MAE WEST was wrapping up a successful long-running engagement in "Sometime," a musical comedy.
• • It was on Saturday 4 October 1918 that "Sometime," the "musical comedy of commerce" designed to showcase the talents of laughmeister Ed Wynn, had opened at the Shubert Theatre (establishing a nice healthy wartime run that continued for eight months at the Shubert brothers' flagship: 225 West 44th Street).
• • At 25 years old, Mae West was still much more accustomed to appearing in vaudeville than in the legit. In "Sometime," it was Mae's character Mayme Dean who appeared onstage first. At that point in her career, Mae had often been cast as an Irish maid — — although Mayme Dean is a frisky flapper who cannot land a man.
• • The red velvet curtain came down during June 1919, after the show had done big box office for 283 performances.
• • Even though the blockbuster hit closed, fortunately, the stately playhouse lives on.
• • Henry Beaumont Herts • •
• • Engineered by Henry Beaumont Herts [23 January 1871 — 27 March 1933], an architect, painter, sculptor, and craftsman — — who was a student when he won the prestigious design competition for the graceful triumphal arch that once graced West 59th Street by Columbus Circle — — the Shubert Theatre was opened in September 1913. In 1911 Herts had ended his partnership with Hugh Tallent and teamed up with Herbert J. Krapp, who had been their assistant. Together they produced the Booth, its companion the Shubert, and the Longacre Theaters. A native New Yorker who studied architecture and fine art abroad as well as in his hometown, Henry Beaumont Herts's first huge success on Broadway came during the early years of the new century. In his New Amsterdam Theater, completed in 1902, a cantilever balcony was used for the first time.
• • Ninety years ago today, a lithe and lovely Mae West (not yet buxom nor "cantilevered") was packing away her Mayme Dean dreams in a scrapbook. Did she suspect that she would return to this theatre for future successes as both an author and the marquee name?
• • This August the Mae West walking tour will meet in front of Shubert Alley and offer deeper dish — — amid a dazzling display of Mae-memorabilia.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Sunday, June 14, 2009

Mae West: Lieutenant Bunin

Brooklyn native Gene Barry [birthname: Eugene Klass], who was featured on Broadway with MAE WEST in 1944, was born on 14 June 1919.
• • The handsome graduate of New Utrecht High School is still performing.
• • Gene Barry (who borrowed the "Barry" from his idol John Barrymore) began his acting career in stock.
• • He likes to reminisce about his early show business days when he appeared as Lieutenant Bunin in a Mae West play on Broadway, Catherine Was Great. He recalls the famous curtain speech Mae West gave: “I’m glad you like my Catherine. I like her, too. She ruled 30 million people and had 3,000 lovers. I do the best I can in two hours.”
• • Though reports indicated that Mae was short-tempered with Mike Todd, her cigar-chomping producer, Gene Barry recalled that she had been cordial and coquettish with him. When they were rehearsing, for instance, the mighty Empress of all the Russias asked Lieutenant Bunin not to call her "Mae West." Eager to please but unsure how to address his leading lady, Gene asked her what he ought to say. "Mmmm, just call me honey!" was Mae's suggestion.
• • Written by Mae West, the play premiered at the Shubert Theatre on 2 August 1944 and ran until 30 September 1944. On 2 October 1944, the show transferred to Mae's lucky spot — — the Royale Theatre — — where it remained until after the Christmas holidays [when it closed 13 January 1945].
• • After honing his craft onstage, Gene Barry headed to Hollywood and worked in films and on TV.
• • For his contribution to live theater, Gene Barry has a star on the Hollywood Walk of Fame
— — 6555 Hollywood Boulevard.
• • Brooklynites Mae West and Gene Barry have both been honored by the Brooklyn Botanic Garden on their Celebrity Path, where stepping stones are inscribed with names of famous Brooklynites past and present. Each paver also contains a bronze medallion of the Brooklyn Bridge, encircled by the phrase, "The Greatness of Brooklyn Is Its People." (By the way, new names are added to Celebrity Path during the month of June on the borough's annual Welcome Back to Brooklyn Day. )
• • The Mae West Blog wishes dapper Gene Barry a very happy 90th birthday today!
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Tuesday, June 02, 2009

Mae West: June 1919

Ninety years ago, in June 1919, MAE WEST was onstage in a tuneful Broadway hit doing an odd thing — — playing a manhunter who can't land a boyfriend.
• • It was on Saturday 4 October 1918 that "Sometime," the "musical comedy of commerce" designed to showcase the talents of laughmeister Ed Wynn, had opened at the Shubert Theatre (establishing a nice healthy wartime run that continued for eight months at the Shubert brothers' flagship: 225
West 44th Street).
• • At 25 years old, Mae West was still much more accustomed to appearing in vaudeville than in the legit. In "Sometime," it was Mae's character Mayme Dean who appeared onstage first. At that point in her career, Mae had often been cast as an Irish maid — — although Mayme Dean is a frisky flapper who cannot land a man.
• • This musical closed in June 1919, after running for 283 performances.
• • Picture Mae West sometime in 1918/9, an energetic brunette sizzling onstage. A reviewer who covered her performance
— — and her sultry shimmy — — at the Shubert Theatre described Mae West as a "tasty tornado."
• • A few years after this show, Mae started writing her own material — — however, she never again portrayed a chambermaid nor a lovelorn lady.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Thursday, March 26, 2009

Mae West: 1919

A short novel that focuses on the lesser-known achievements of "exceptional woman in history" features MAE WEST.
• • New York based ZAPmedia, a boutique provider of books, art, and online content, is toasting Women’s History Month by recognizing the achievements of trailblazing females such as Mae West and inventor Beulah Henry. Released back in February 2007, 1919 – Misfortune’s End — — ZAPmedia’s first venture into publishing fiction — — explores the remarkable lives and accomplishments of certain adventuresses and fearless femmes who made 1919 an incredible year for women around the world.
• • 1919 – Misfortune’s End follows the lives of two families through the twelve pivotal months of 1919, right after World War I. The stories of notable individuals including Mae West [1893 — 1980], Margaret Sanger [1879 — 1966], Madame C.J. Walker [1867 — 1919], Beulah Henry [1887 — 1973], and several prominent males served as counterpoint to the exploits of the fictional characters such as Louvenia Jackson.
• • In reality, during March 1919 Mae West was on Broadway performing in "Sometime" — — ninety years ago — — when the actress was 26 years old and more used to appearing in vaudeville than in the legit. The "musical comedy of commerce," designed to showcase the talents of laughmeister Ed Wynn, had opened at the Shubert Theatre on Saturday 4 October 1918 (establishing a nice healthy run that continued through June 1919 on West 44th Street).
• • In "Sometime," it was Mae's character Mayme Dean who appeared onstage first. At that point in her career, Mae was often cast as an Irish maid
— — although Mayme Dean is a frisky flapper who cannot land a man. A few years after this show, Mae started writing her own material — — however, none of her titles contained the downbeat word misfortune.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Saturday, March 07, 2009

Mae West: Francine Larrimore

In March 1919 MAE WEST was on Broadway performing in "Sometime" — — exactly ninety years ago — — when she was 26 and more used to appearing in vaudeville than the legit. The "musical comedy of commerce," designed to showcase the talents of laughmeister Ed Wynn, had opened at the Shubert Theatre on Saturday 4 October 1918 (and would have a nice healthy run until June 1919 on West 44th Street).
• • It was Mae's character Mayme Dean who appeared first onstage. But the play's heroine, the actress who got to sing the title tune "Sometime," was 20-year-old Francine Larrimore, who died in the month of March — — on 7 March 1975. The New York Times drama critic enjoyed her rendition, adding that her presentation had "a touch of distinction."
• • Born on 22 August 1898 in France into one of the great acting families of the Yiddish Theater, the Adlers, Francine Larrimore emigrated to America in 1905.
• • By 1910, this beauty made her debut in "Where There’s a Will" at Webber’s Theater in New York. Frequently cast in temperamental "pouty girl" roles, Francine Larrimore worked quite regularly on the Great White Way in a number of musicals and farces. She had training and could put across a song as well as act, dance, and flounce around with elan.
• • Here's how The New York Times reviewer described her voice: "She has, in fact, a wistful, childlike quality, and a haunting vanishing sob in her voice that go straight to one's sympathies. It is she who sings 'Sometime,' and she is almost equally appealing in the second act with 'Baby Doll'."
• • Her Broadway fame lasted from 1917 — 1929, though she was seen onstage in a great many plays for almost 25 years. In 1926, when "Roxie Hart" bowed at the Music Box Theatre in New York City, Francine Larrimore originated the title role of the Cook County murderess who hires lawyer Billy Flynn.
• • After a handful of silent films and much acclaim in mainstage productions, Miss Larrimore was cast in the none too successful motion picture "John Meade’s Woman" [1937].
• • Herman Mishkin [1871 — 1948] held a position with Oscar Hammerstein's Manhattan Opera Company as a photographer-publicist. Since Hammerstein produced "Sometime," Mishkin took this portrait of Francine Larrimore around that time.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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