MAE WEST came to the attention of Tinseltown ninety years ago in 1932. Step into the Time Machine with me for a long, leisurely ride. This is Part 29.
• • Mae West in Hollywood 1932 – 1943 • •
• • Mae West: “I’m No Angel” surely worked its magic • •
• • “BELLE OF THE NINETIES” (75 mins., 1934) • •
• • Andy Goulding wrote: Not long after the triumphant “I’m No Angel,” the Hays Production Code was fully enforced.
• • Andy Goulding wrote: The code had been around for years already, it’s influence dogging Mae West’s progress in making her early films.
• • Andy Goulding wrote: But by mid-1934, approval by the newly-created Production Code Administration [PCA] was required if a film was to be released at all.
• • Andy Goulding wrote: “Belle of the Nineties,” West’s fourth film, found itself under the watchful eye of the PCA and reportedly the film practically had to be made twice in order to accommodate the PCA’s demands.
• • Mae West: Targeted by the purity police • • …
• • This will be continued on the next post.
• • Source: Blueprint Reviews U.K.; posted on Friday, 3 December 2021.
• • On Tuesday, 25 October 1932 • •
• • Variety reviewed "Night After Night," the motion picture debut of Mae West. A display advertisement for the film was printed in Variety's issue dated for Tuesday, 25 October 1932.
• • On Wednesday, 25 October 1933 • •
• • Under the headline "Chicago Likes Her" was a smiling portrait of Mae West by George Hurrell. The caption explained that "I'm No Angel" was in movie-houses in The Windy City during that week. The Chicago Herald and Examiner ran the coverage on Wednesday, 25 October 1933.
• • This is one of the pictures George Hurrell took during a photo session with Mae West in 1933.
• • Overheard in Hollywood • •
• • "Hallelujah, I'm a Saint," a story by Marion Morgan and George B. Dowell, has been purchased by Paramount to provide additional material for the next Mae West starring picture. Mae will incorporate certain sequences of the newly purchased story and "Lulu Was a Lady," purchased two weeks ago from Frank Mitchell Dazey.
• • In Her Own Words • •
• • Mae West said: "Sometimes I grow weary of fighting to keep faith with the public."
• • Quote, Unquote • •
• • An article about a funeral home mentioned Mae West.
• • "For Once, the Living Get the Roses at Campbell's" • •
• • NYC lawyer and journalist Bernard Stamler writes: With a client list that reads like a who's who of American celebrities — — Mae West, George Gershwin, Arthur Ashe, and Jacqueline Kennedy Onassis among them — — it is no ordinary funeral home. So when Frank E. Campbell, a genteel, nondenominational mortuary, decided to celebrate its 100th anniversary last week, it organized an extraordinary event: an open house with white roses for the ladies and refreshments served by tuxedo-clad attendants. New Yorkers turned out in droves. ...
• • Source: The N.Y. Times; published on Sunday, 25 October 1998
• • The evolution of 2 Mae West plays that keep her memory alive • •
• • A discussion with Mae West playwright LindaAnn LoSchiavo — —
• • http://lideamagazine.com/renaissance-woman-new-york-city-interview-lindaann-loschiavo/
• • The Mae West Blog celebrates its 18th anniversary • •
• • Thank you for reading, sending questions, and posting comments during these past eighteen years. Not long ago, we entertained 3,497 visitors. And we reached a milestone recently when we completed 5,100 blog posts. Wow!
• • By the Numbers • •
• • The Mae West Blog was started eighteen years ago in July 2004. You are reading the 5,107th blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Photo: • • Mae West • • in 1933 • •
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