Wednesday, February 17, 2021

Mae West: A Deviation

MAE WEST said this about being on TV: “too many people seeing me for free.” But now that her motion pictures are on the small screen, Mae is being newly discovered. Let's hear from Scott Marks. This is Part 7 of 8.
• • The Best of Mae West • •
• • She Done Him Wrong: Mae West’s career died for your sins.
• • Mae West: stereotypical mix of fire-brimstone with bayou hoodoo • •
• • Scott Marks wrote: In "Belle of the Nineties," Mae West doesn’t even sing [sic]. (That chore goes to one of her stud muffins.)

• • Scott Marks wrote: "Belle" isn’t a musical as much as it is a series of stage performances by Mae West interspersed between bits of melodrama.
• • Scott Marks wrote: The one deviation occurs when she steps out on the balcony for a smoke and observes an all-black revival meeting being held practically in her backyard.
• • Scott Marks wrote: These numbers were quite popular in the day, but there is something particularly off-putting about this stereotypical mix of fire and brimstone and bayou hoodoo.
• • Mae West: Hollywood display of religious ecstasy • • ...  
• • Part 8 will follow tomorrow, the final segment by Scott Marks.
• • Source: San Diego Reader; published on Friday, 11 December 2020.
• • On Saturday, 17 February 1951 in Los Angeles • •
• • In Los Angeles on February 17th, Pete Ermalinger, manager of the Biltmore Theatre, was negotiating for "Diamond Lil" the Mae West starrer currently in Texas.
• • Overheard in Hollywood • •
• • Mae West warbles four numbers, one, "Scandalizin' My Name," counter-pointed with Negro spirituals being particularly effective to eye and ear.  Leo McCarey's direction has flavor and distinction. Exploited smartly, "Belle of the Nineties" should do Golden West business even though repeat bookings may or may not be so abundant.
• • In Her Own Words • •
• • Mae West said: "In my pictures I never took a man from another woman or pursued another woman's husband. That was all part of my plan to keep women audiences happy.”
• • Quote, Unquote • •
• • The N.Y. Times mentioned Mae West.
• • On Tuesday, 15 February 1927, in the West Side court, Mae West and her producers were offered the possibility of an 'implied immunity' in return for pulling the show. They turned it down.  ...
• • Source: The N.Y. Times; published on Wednesday, 16 February 1927

• • The evolution of 2 Mae West plays that keep her memory alive • •
• • A discussion with Mae West playwright LindaAnn LoSchiavo — —
• • http://lideamagazine.com/renaissance-woman-new-york-city-interview-lindaann-loschiavo/

• • The Mae West Blog celebrates its 16th anniversary • • 
• • Thank you for reading, sending questions, and posting comments during these past fifteen years. Not long ago, we entertained 3,497 visitors. And we reached a milestone recently when we completed 4,600 blog posts. Wow! 
• • By the Numbers • •
• • The Mae West Blog was started fifteen years ago in July 2004. You are reading the 4,672nd blog post. Unlike many blogs, which draw upon reprinted content from a newspaper or a magazine and/ or summaries, links, or photos, the mainstay of this blog is its fresh material focused on the life and career of Mae West, herself an American original.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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• • Be sure to bookmark or follow The Mae West Blog
• • Photo: • • Mae West • • "Belle of the Nineties" in 1934
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• • Feed — — http://feeds2.feedburner.com/MaeWest

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