Thursday, September 09, 2010

Mae West: Emanuel and Eddie

Two men linked to "Go West Young Man," starring MAE WEST, share a date in September.
• • Born in Hartford, Connecticut on 5 August 1892, Emanuel Cohen finished high school in the Constitution State, then set out for Manhattan where he graduated from the College of the City of New York in 1912.
• • Ambitious and eager to make his way in the world, Cohen smoothly skated from journalism work to a prime editorial position with Pathe News, eventually winding up at the helm of Pathe’s popular newsreel division. In 1926 Cohen was lured away to Paramount Pictures, where he headed their very active short subjects department.
• • A few years later, Paramount — — deep in the red from a streak of money-losing flops — — promoted Cohen, putting him in charge of production for their motion pictures. Clever Cohen had the skill to turn the company around; by 1935, the studio was once more profitable. Ironically, Paramount then fired this rainmaker. Go figure.
• • Emanuel Cohen formed his own production company in partnership with the studio, and his unit turned out several Mae West films, as well as Bing Crosby musicals.
• • "Go West Young Man" [released on 18 November 1936] was produced by Emanuel Cohen; Adolph Zukor was executive producer.
• • At age 85, Emanuel Cohen died in New York City in the month of September — — on 9 September 1977.
• • Unlike Cohen, Eddie Fetherston had no journalistic background whatsoever. In "Go West Young Man" he played a reporter. Curiously, he must have looked like a newsroom employee to the casting agents who hired him to portray either a wise-cracking journalist, a photographer, or a newspaper staffer in dozens of motion pictures.
• • Born in Brooklyn, NY in the month of September — — on 9 September 1896 — — Eddie Fetherston had launched his career as a vaudeville comedian. The character actor appeared (albeit briefly) in numerous shorts and movies directed by Frank Capra, La Cava, McLeod, John Ford, etc.
• • On 12 June 1965, Eddie Fetherston had a fatal heart attack at his home in Yucca Valley, California.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Wednesday, September 08, 2010

Mae West: Auction in Ithaca

MAE WEST collectors may find an keepsake in the Empire State later this month.
• • National Book Auctions will feature a fine collection of stage & screen and music-related items, including a collection of books, photographs and ephemera
— — much of which is signed by stars of the Golden Age of cinema — — at their upcoming sale on 19 September 2010 in Ithaca, New York. Also included will be a substantial selection of antique and vintage books displayed with an assortment of artwork.
• • The stage and screen collection includes signed pieces from Mae West, Laurel & Hardy, Paul Newman, Judy Garland, Katharine Hepburn, Dean Martin, Lauren Bacall, Charlie Chaplin, and Bob Hope, among others. For example, one item is a three-panel folding screen from the famous Mama Leone's restaurant (once located in the theatre district), bearing dozens of autographs — — by Montgomery Clift, Carol Channing, Jack Lord, Betty Field, Imogene Coca, Diana Barrymore, and more. Though the listing description does not list Mae West, Mamma's tall and dapper son Aldo Leone fondly recalls how much the Broadway star enjoyed their meat lasagna with a glass of Italian wine.
• • National Book Auctions [1429 Danby Road (Route 96B), Ithaca, NY USA] is a public auction service specializing in books, ephemera, and art for consignors and collectors alike.
• • In September, Let's Remember DeForest Covan • •
• • Versatile vaudevillian DeForest Covan, who appeared in "Every Day's a Holiday" with Mae West, was born in Chicago in the month of September — — on 9 September 1917.
• • The nephew of vaudeville dancer Willie Covan, he honed his dancing and singing skills on the black variety circuit before breaking into Hollywood motion pictures in 1936 as a bit part player and hoofer. Fans may recall that DeForest Covan had a continuing role on the TV series "That's My Mama"; he portrayed Josh for 22 episodes, 1974-1975. Additionally, he was in the cast of 50 films and seen onscreen until 1994.
• • DeForest Covan died at the age of 90 in Los Angeles, California also during the month of September — — on 8 September 2007.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Tuesday, September 07, 2010

Mae West: Fanny's Funeral

In early September 1928, as the Broadway run of "Diamond Lil" was coming to a close, MAE WEST went to the Bronx to pay her respects.• • In the month of September — — on 7 September 1928 — — Fanny Leitzbach had died. Shortly afterward, the funeral proceeded from her residence and the Bavarian native was buried in Woodlawn Cemetery. Fanny's devoted daughter was Mae's frequent writing partner.
• • Adeline M. Leitzbach [c1884 — 1968] • •
• • After Mae West read the play Following the Fleet (written by J.J. Byrne and Ted McLean), it did not suit her idea of a vehicle that would make the most of her talents. So once again she contacted a female playwright of German descent who was often hired to collaborate.• • In 1922, Mae had first contacted this ghost writer, who helped her put together a full-length, three act play: "The Hussy."
• • The author was living in the Bronx with her widowed mother Mrs. Maximilian Leitzbach and had worked on projects such as adapting a woman's novel Wife in Name Only [1923] for the screen. Soon Mae West, age 32, and Adeline M. Leitzbach, age 38, would be revising the script that would become Sex and be staged in April 1926.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Monday, September 06, 2010

Mae West: So Becoming

This weekend Dr. Sketchy presented a new version of BECOMING MAE WEST — — starring Diamond Minx — — and advance tickets immediately sold out.
• • What a concept. Here is their event blurb, word for word: Vaudeville Performer, Playwright, Broadway Sensation, Movie Star, Sex Goddess... In this Dr Sketchy's we pay tribute to the woman who became an icon simply by being herself! Diamond Minx will be modeling for this classic burlesque themed drawing class.
• • Unfortunately, we just received word that this sold-out happening took place on 5 September 2010 [yesterday] on Main Street in Vancouver.
• • Molly Crabapple, a New York City based illustrator, is the founder of Dr. Sketchy's Anti Art School. She explains: Dr. Sketchy’s Anti Art School is what happens when a simple question is asked — — why can't figure drawing be sexy? Part art class, part cabaret, join us for 3 hours of drinking, drawing and decadence!
• • BECOMING MAE WEST was neither the first nor the last artistic adventure for Molly and her followers. Find them online to learn about future engagements.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Sunday, September 05, 2010

Mae West: Do Strange Things

The tuneful trademark adopted by MAE WEST — — the jaunty number she performed and reinvented during her long career was — — "Frankie and Johnny." Nonetheless, another song inspired her and held a place in her heart. The composer died in the month of September — — on 5 September 1896 — — three years after she was born, but he was an indelible influence.
• • The Philadelphia native was best known as musical director for Charles Hoyt, whom he joined in 1883. Percy Gaunt composed the scores for several of Hoyt's farce-comedies, most notably "A Trip to Chinatown" (1891), which included “The Bowery,” “Reuben and Cynthia” (retrofitted from an older hit), and “Push Dem Clouds Away” (played at Gaunt's funeral by an organ‐grinder).
• • As a teenager, Mae was cast in the Broadway musical "A Winsome Widow," which was onstage from 11 April 1912 — 7 September 1912. "A Winsome Widow" was the retooling of a far more successful Broadway show "A Trip To Chinatown" — — a solid-gold sensation for Charles Hale Hoyt [1859 — 1900] which opened at Broadway’s Madison Square Theater on 9 November 1891 and ran for 657 performances (close to two years) on East 24th Street and Madison Avenue.
• • Well after the curtains came down, Gaunt's long-lasting chart-topper refused to die. Numerous song sheets kept selling, making the lyrics familiar to anyone who heard it sung at a party, revived by a barbershop quartet, plinked out for a group of saloon scholars in a barroom. Ironically, even though this patently "down low" New York City song had absolutely nothing to do with the plot of "A Trip to Chinatown," a show set in San Francisco, the number was so popular that it proved to be a major factor in the show's success. Set in three-quarter time, the comical lyrics warned good citizens about the dangers of Mae West's favorite part of town, the Bowery.
• • • • "The Bowery" [a short excerpt] • • • •
• • Words by Charles H. Hoyt & Music by Percy Gaunt • •
• • Published by T.B. Harms & Co. (NYC) in 1892 • •
• • • • Verse 1 • • • •
• • Oh! the night that I struck New York,
• • I went out for a quiet walk;
• • Folks who are "on to" the city say,
• • Better by far that I took Broadway;
• • But I was out to enjoy the sights,
• • There was the Bow'ry ablaze with lights;
• • I had one of the devil's own nights!
• • I'll never go there anymore.
• • • • Refrain • • • •
• • The Bow'ry, the Bow'ry!
• • They say such things,
• • And they do strange things
• • On the Bow'ry! The Bow'ry!
• • I'll never go there anymore! . . .
• • • • • • • • • • • • • • • • • • • • • • • •
• • Inspired by Hoyt's song and entirely enchanted by the Bowery, Mae was determined to revisit the glory days of "the liveliest mile" — — and so she wrote "Diamond Lil" in 1928, a most profitable trip to Chinatown. On Broadway in 1928, "The Bowery" was played onstage by the character Ragtime Kelly (actor and pianist Pat Whalen). During the month of September 1928, the show closed and began its regional tour.
• • Born in 1852, Percy Gaunt died in Palenville, NY on 5 September 1896 at age 44. His early death deprived the musical theatre of a promising melodist.
• • 70 Birthday Candles Lit for Raquel Welch • •
• • Happy Birthday to Raquel Welch, whose career was not boosted by "Myra Breckinridge" [1970]. Born on 5 September 1940, the former model is 70 years old today. When they co-starred together, Mae West was 77 years old. Think about it, honey.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Saturday, September 04, 2010

Mae West: Empress, Meet the King

After assuming the ermine mantle of Russian ruler Catherine the Great in 1944, MAE WEST acquired a new nickname on Broadway — — The Empress of Sex.
• • It was wonderful to see so many news articles about this broad-minded broad, and her annual birthday festivities, printed before her birthday. And it was sensational to have so many reporters sitting in the press box on the 14th of August. What Mae herself would have found truly exceptional, however, was that a king was in the audience — — yes, the incomparable actor, singer, voice-over artist Elli the King of Broadway came up to see Mae. Here is his review for Nite Life Exchange.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Mae West’s Birthday Tribute The Actor’s Temple • •
• • Elli writes: In the 1933 film "I’m No Angel," Mae West says, "When I’m good I’m very, very, good — — and when I’m bad, I’m better.” This past Saturday night [14 August 2010], Anne Marie Finnie, as Mae West, showed us just how very good she is at bringing Mae back to life.
• • The delightful evening at The Actor's Temple began with event organizer LindaAnn Loschiavo, author of the play, Courting Mae West: Sex, Censorship & Secrets, welcoming the audience and providing a brief history of the neighborhood. She then introduced Miss Sophie Tucker (played by Maggie Worsdale). Miss Tucker was a member of, and headlined an annual benefit for The Actor's Temple at a Broadway theatre every year.
• • After delighting the audience with some funny songs and jokes, we got to meet the bawdy, flamboyant, and way ahead of her time Mae West. Ms. Finnie captured not only the look, with her flamboyant gown and signature platinum blonde hair and makeup, but also embodied the voice, mannerisms and spirit of the great Miss West, who died in 1980 at the age of 87.
• • Ms. Tucker was excellent as the "straight man" to Ms. West, providing the setup for many of the great Mae West lines, and jokes from her illustrious career on stage, screen and in the nightclubs and speakeasies of New York. The audience was treated to a variety of songs, duets and stories which all ended way too soon.
• • Shimmy Contest & 10 Prizes • •
• • The party ended with a "Shimmy" contest (which thankfully I did not enter) and a raffle for 10 outstanding prizes such as a Parol designer shawl scarf with the words, "When I’m good I’m very, very, good – and when I’m bad, I’m better!" knitted into the 25x200cm scarf, and an A-MAE-ZING teddy bear dressed to the nines, as Mae herself always did.
• • Of course there was time allotted after the finale and the well-earned encore for people to pose for a keepsake photo with two of the original divas of the stage.
• • Sadly, this was a one-night-only celebration, but the ladies do perform together quite often.
• • For more information on future events, check out http://www.thegaudygirls.com and http://www.maewest.blogspot.com
• • For complete info about the reviewer, please go to http://www.thekingofbroadway.com — — and you can also click on the link below to see Elli's fab photos from August 14th.
— — Source: — —
• • Article: " Mae West’s Birthday Tribute The Actor’s Temple"
• • By: Elli – The King Of Broadway
• • Published in: Nite Life Exchange — — http://NiteLifeExchange.com/
• • Published on: Saturday, 21 August 2010

• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • The raffle is part of the tradition at the Annual Mae West Birthday Tribute. Since Mae herself was a generous woman, it's fitting that she continues to give gifts to her loyal fans. Three of the most sought-after prizes on August 14th were donated by the German company Parol. The three scarf/ shawl winners were: (a) Mario Fratti, the Tony Award winner of the musical "Nine," who lives in Manhattan; (b) Linda Amiel Burns, The Singing Experience, of Manhattan, and (c) Garrett Ferguson of Mastic, NY. Thank you to the new Shimmy Queen Ella Smith, all the attendees, our ten prize winners, our media guests, and to Parol and also the other very gracious prize sponsors.
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Friday, September 03, 2010

Mae West: Lancaster County Show

MAE WEST spent time in Pennsylvania being creative, which included finding collaborators. One very accommodating individual was C. William Morganstern, the former proprietor of Pittsburgh’s Family Theater, where a teenage Mae had performed in 1912. In 1926, in exchange for his assuming the responsibilities of producer of "Sex," his daughter Constance Morganstern was cast in this Broadway play as Marie.
• • Creative women such as the Brooklyn bombshell will be the subject of a First Friday exhibit at the Lancaster Literary Guild — — taking place on 3 September 2010 from 5:00 — 9:00 PM in Pennsylvania.
• • Lebanon County artist Teri Traner was invited by the guild to do this show centered on 17 assemblages that link an eclectic group — — including Virginia Woolf, Flannery O'Connor, Jane Austen, Edith Wharton, Willa Cather, Frieda Kahlo, Georgia O'Keefe, Mata Hari, Annie Oakley, Janis Joplin, Emily Dickinson, along with a triptych of Mae West, Jean Harlow, and Marilyn Monroe. Teri Traner's work will be on display for an entire month. Viewers will enjoy how she combines objects, images, and words in startling and provocative ways to explore cultural icons, femininity, and mythology.
• • WHERE: Lancaster Literary Guild, 113 N. Lime Street , Lancaster, PA 17602; T. (717) 431-4433. The exhibition and its events are free and open to the public.
• • The West Sisters on West End Avenue • •
• • According to Christopher Gray: The most ambitious town house still standing on West End Avenue is No. 266, between 72nd and 73rd, built in 1896 by Julius Jaros, an importer. "It is sometimes said that Mae West occupied the house for a time with her sister, Beverly, who is indeed listed there in a 1933 directory," Christopher Gray writes in his most current Streetscapes column: "West End Avenue — — Three Apples of Somebody’s Eye"; The N.Y. Times; 2 September 2010. Though his feature will not tell you much more about Mae and Beverly's tenancy there, it's worth looking at if you have an interest in Manhattan's architectural past.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Thursday, September 02, 2010

Mae West: Cypress Hills

The final resting place of MAE WEST and her immediate family is Cypress Hills Cemetery, an expanse of 209 green acres with sweeping views of Jamaica Bay and the Atlantic Ocean beyond.
• • A new book will give you an armchair tour of this noteworthy site that straddles two New York City boroughs. Fans often wonder: What is Mae doing in Queens County instead of reposing in her beloved Kings County? Cypress Hills Cemetery’s main entrance is within Brooklyn's borders, therefore, its post office address is in Brooklyn at 833 Jamaica Avenue. However, most of the cemetery proper is situated in adjoining Glendale in Queens — — where several of Mae's friends and one former boyfriend attended school — — and so that borough proudly claims it.
• • In addition to Mae West, other notables whose remains rest in Cypress Hills include the black musician Eubie Blake (who had worked with Mae) and Major League baseball sensation Jackie Robinson.
• • Learn more by reading Cypress Hills Cemetery by Stephen C. Duer and Allan B. Smith [Arcadia Publishing], a title just released in September 2010.
• • In September we remember . . . • •
• • Speaking about those who are no longer with us summons these names to mind on September 2nd.
• • Born in Westchester County (Harrison, New York) and educated at New York University, Harrison Grey Fiske [30 July 1861 — 2 September 1942] was an American theatrical manager and journalist. Fiske served as an editorial writer and dramatic critic for a number of publications such as the Jersey City-based Argus and The New York Star. In 1879 he became a contributor to the New York Dramatic Mirror, and by 1883 the proprietor.
• • The influence the Dramatic Mirror wielded was no small matter. They praised Mae's performance as part of the Broadway line-up they reviewed — — and her vamp portrait even made the front cover on 25 December 1919, thanks to some pressure exerted by Ned Wayburn who featured the 26-year-old brunette in his "Demitasse Revue" at the Capitol Theatre in New York City.
• • Born in Pennsylvania, Ned Wayburn [30 March 1874 — 2 September 1942] was a choreographer. His advertising campaigns pictured some of his most successful dance students — — and though Mae was not shown on those, Ned taught her to dance and cast her in shows, adding heft to her resume and stage career.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Wednesday, September 01, 2010

Mae West: Oh, Johnny!

MAE WEST fans became acquainted with a handsome six-foot-one actor when he played the role of Brooks Claybourne in "Belle of the Nineties" [1934]. Born in the month of September — — on 1 September 1904 — — in Dixie, Johnny Mack Brown launched his first career as a gridiron star.
• • An All-American halfback while attending the University of Alabama, well-built Johnny Mack Brown would choose the silver screen over the green grass of the football field when he graduated. Signed to a contract with MGM in 1926, Brown debuted in Slide, Kelly, Slide (1927) with William Haines in a film about the great sport of . . .
baseball. This was followed by The Bugle Call (1927), which starred the fading star Jackie Coogan.
• • In 1928 he would appear in the last Norma Shearer silent film, A Lady of Chance (1928). After that, he would work with Mae West, Greta Garbo, Marion Davies, and Mary Pickford.
• • His muscular good looks would only carry Brown so far in films, however, and by 1930 he had yet to find his place. At MGM Clark Gable was taking the roles that Brown was up for, so he went into a western for director King Vidor, Billy the Kid (1930). While Vidor did not want him for the part to begin with, the picture was successful; however, Brown's career at MGM would soon end. By 1933 he would still be making westerns, but they would be for low-rung studios like Mascot.
• • More westerns at even lower-rung Supreme Pictures followed, as well as serials like Wild West Days (1937) at Universal.
• • Johnny Mack Brown died at age 70 [on 14 November 1974] of cardiac arrest in California.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Tuesday, August 31, 2010

Mae West: Time's Up for Tim

Since MAE WEST had her eye on Tammany Hall perhaps for the entire time she lived in New York, she could spot a fixer. One of them didn't fix his abrupt end though, which arrived rather shabbily at the end of August on some railroad tracks well north of his Chinatown clubhouse.
• • "Big" Tim Sullivan [23 July 1862 — 31 August 1913] was a fixer extraordinaire and a born ward-heeler. This New York politician who controlled Manhattan's Bowery and Lower East Side districts as a prominent figure within Tammany Hall was the model for Mae's character Gus Jordan in "Diamond Lil."
• • Similarly, in "She Done Him Wrong" [1933] the bejewe
led chanteuse and brash entertainer Lady Lou (Mae West) works in the 1890s Bowery saloon of her boss and benefactor Gus Jordan (Noah Beery, Sr.), who has given her many diamonds.
• • Several of the regulars who could be found bending an elbow at Gus Jordan's barroom were drawn from life. In 1928, many ticket-holders lining up in front of the Royale Theatre [located at 242 West 45th Street] probably would have recognized the name, for instance, of the legendary Bowery notable Chuck Connors, and relished seeing Chuck Connors, Jr. in the cast portraying his infamous Dad — — called "Lefty Eddie" in Mae's play.
• • "Big" Tim reworked as Gus Jordan • •
• • Unbeknownst to Lady Lou, slick and sleazy Gus Jordan trafficks in white slavery (prostitution) and runs a counterfeiting ring (to help finance Lou's expensive rock collection). He also sends young women to San Francisco to be pickpockets. Gus works with two other crooked entertainer-assistants, Russian Rita (Rafaela Ottiano) and Rita's lover, the suave Serge Stanieff (Gilbert Roland).
• • Not as handsome as Beery and certainly far heavier, "Big" Tim Sullivan was born to poor Irish parents in the notorious Five Points neighborhood. Determined to be successful,
"Big" Tim Sullivan cultivated careers in business and politics. Over the course of 25 years beginning in 1886, Sullivan assembled a political machine that ruled the districts of lower Manhattan. A legitimate entrepreneur in the world of entertainment, Sullivan forged an effective brand of urban politics by fusing the traditional tactics of the machine with his influence in commercial leisure and organized crime.
• • Staging theatrical entertainments and athletic competitions, handing out food and clothing to constituents, and offering employment and social services to ordinary citizens won him many followers, but Sullivan's protection of key figures in the vice economy of the Lower East Side made him a rather controversial figure. Despite his frequent use of physical intimidation, "Big" Tim nonetheless worked to expand the franchise and give the disadvantaged a voice in municipal politics.
• • Both Mae West's character Gus Jordan and Tim Sullivan were active in a number of illegal activities including prostitution, white slavery, gambling, and extortion.
• • On 31 August 1913, "Big" Tim's body was found on the tracks in the Eastchester area of the Bronx, New York. He was 51 years old.
• • Sullivan's wake was held at his clubhouse — — located at 203 Bowery.
• • More than 25,000 people turned out for his funeral at St. Patrick's Old Cathedral, New York on Mott Street. Perhaps some "mourners" turned up solely to make sure this politico was dead.
• • Tim's clubhouse was down the block from the notorious Bowery "resort" near Houston Street, namely McGurk's Suicide Hall [295 Bowery]. The second chapter of "Diamond Lil" (a 256-page novelization of the play published by Macaulay in 1932) is Suicide Hall.
— — Source for some of this information: — —
• • Article: "Underworlds and Underdogs: Big Tim Sullivan and Metropolitan Politics in New York, 1889 — 1913"
• • Byline: Daniel Czitrom
• • Published in: The Journal of American History, vol. 78, no.2
• • Published on: September 1991
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Monday, August 30, 2010

Mae West: Mobile Movie Queen

The "mobile motor lodge" owned by MAE WEST has brought her history on wheels to a whole new audience: the RV buffs. Roving exhibitions have featured this vehicle along with a colorful coffeetable book.
• • In 1931, Mae West’s Paramount Studios contract included a chauffeur-driven “house car” for the star to relax in while filming movies. And it's interesting that Mae West happens to have something in common with Henry Ford [30 July 1863 — 7 April 1947] , Thomas Edison, Howard Hughes, John Madden, the Partridge Family [ABC series aired originally from 25 September 1970 until 31 August 1974], Ken Kesey, The Who, and even Barbie. All of these had a home on wheels — — be it an old converted school bus, a massive RV cruiser, or an elegant house car. These celebrity motorhomes are only the frosting on the cake in Douglas Keister's entertaining and informative new book Mobile Mansions.
• • Chico, California-based photographer Douglas Keister fills out his ultimate guide to RV nostalgia with entertaining descriptions, as well as a sampling of photos, including the deluxe motel-in-motion once enjoyed by Mae West and other cultural icons. Gibbs Smith is the publisher.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Sunday, August 29, 2010

Mae West: Love Goddess

Released in 1965, the documentary "The Love Goddesses" features fabulous archival footage on MAE WEST — — and one of the movie queens sharing screen credit is attached to August 29th.
• • Using clips from the Hollywood heyday of several bold-faced beauties who graced the silver screen, "The Love Goddesses" shows how the movie industry changed its portrayal of sex and sex appeal from the silent movie era to the present. Scenes are shown from the silent classic "True Heart Susie" starring Lillian Gish, "She Done Him Wrong" starring Mae West (1933), "Love Me Tonight" (1932) starring Jeanette MacDonald (in her pre-Nelson Eddy interval), "A Place in the Sun" (1951) starring Elizabeth Taylor, and many other celluloid sizzlers — — such as the female star of "Casablanca" Ingrid Bergman, who was born on 29 August 1915 and who also died on that date on 29 August 1982.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Saturday, August 28, 2010

Mae West: A-MAE-Zing Inheritance

In the summer of 1926, MAE WEST performed at a charity benefit at New York City's Polo Grounds and on the bill was 35-year-old Hazel Dawn, a member of the original Ziegfeld Follies in 1907.
• • Born in Ogden, Utah, to a Mormon family, pretty Hazel Dawn [23 March 1891 — 28 August 1988] was a stage, film, and TV actress.
• • Hazel Dawn made her screen debut as Kate Shipley in "One of Our Girls" (1914). Her association with Famous Players — Lasky film company dated from this motion picture. Dawn followed this role with others in "Niobe" (1915), "Clarissa" (1915), "The Masqueraders" (1915), etc.
• • Hazel Dawn was once the mascot of both the U.S. Military Academy and the U.S. Naval Academy at one of their annual football games. At one point, West Point cadets tossed their hats onto the stage, one cap belonging to future U.S. President Dwight D. Eisenhower.
• • In 1927 she married Montana mining engineer, Charles Gruwell — — reputedly one of the richest men in the western United States.
• • At the age of 97, Hazel Dawn died in Manhattan at the home of her daughter in the month of August — — on 28 August 1988. Born two years before Mae West, her path in life was so different.
• • Probability, like time, is its own dimension. Perhaps there was an irresistible urge in certain ladies to cultivate a million admirers. A different woman would be spending her time trying to marry a millionaire. Yet another female is determined to be that millionaire. How many chances are there in one life to rewrite the acceptable version of the public self?
• • Proust said that truth is only a point of view about things. Rick, a discerning collector of Westiana, who had inherited a million memories and a trove of Mae West souvenirs from his mother, cherishes these experiences and shares his story with our readers.
• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • In commemoration of the thirtieth anniversary of Mae's burial, Baltimore-based admirer Richard S. Baynes writes about Mae West and the way he became the designated guardian of his mother's beloved keepsakes.
• • • Rick remembers: I am very happy to share my thoughts about Mae West. I happen to have a nice collection of Mae memorabilia left to me by my mother.
• • • My mother adored many of the strong women actresses from the Golden Age of Hollywood. She often mentioned actresses like Joan Crawford, Bette Davis, and Barbara Stanwyck — — but Mae was her favorite because she had a personal connection.
• • • My mother met Mae in 1949 when she was appearing in Baltimore, Maryland as “Diamond Lil” at the Town Theatre (which was vacant and in disrepair for years, but is being renovated this year to house a local theater company). At the time, Mae would often stop in the historic Lexington Market downtown to buy fresh fruit. I’ve read that she was actually hospitalized during her stay in Baltimore, but overruled her doctor’s objections and checked out early. I also read that her long time companion Paul Novak was from Baltimore.
• • • • • • One Man's a-MAE-zing Collection • • • • • •

• • • Ricks adds: I have two signed Playbills, a couple of posters, LPs from the 1960s, movie fan magazines with articles about Mae, old cigarette cards, and song sheets with Mae’s picture on them. Over the years I’ve added to the collection (through EBAY) items such as the Mae West “Royal Doulton” figurine, the “Esco” statue, the “Effanbee” doll, a check signed in 1940, and a picture printed from a unique negative. I have also collected various mugs, cups and plates with her likeness. I particularly value a ticket from the premiere of “Sextette” held in San Francisco in 1978. I have one room that has been turned into a Mae West museum.
• • • I remember taking a trip with my mother in the late 1970s to Hollywood. While there, we just had to visit the Ravenswood Apartment Building. No, we never caught a glimpse of Mae — — but I do remember her name and phone number were listed in the Los Angeles phone book!
• • • Initially I learned about Mae from my mother, but over the years I became more and more fascinated by her life story. To me, Mae seemed bigger than life. She epitomized the true meaning of “a movie star.” She was her own creation and stayed faithful to her image until the day she died. I would love to have met her!
• • • • • • Mae West Still Matters • • • • • •
• • • Mae still matters because she is irreplaceable — — there will never be anyone like her. Celebrities today come and go, but her star is eternal. One hundred years from now, people will know the name “Mae West” and it will bring an instant smile to their face.
• • • She may not have an organized fan club but, as all the true Mae-mavens know, there is an annual Mae West Birthday Blast in New York City and another one in Hollywood. This yearly tribute on the East Coast and the West Coast means that the Empress of Sex still has fans of all ages and races. Her movies have brought immense pleasure to my life, and I’m grateful to her for that. (By the way, I take my hat off to the MAE WEST BLOG, a daily dose of the Brooklyn bombshell that does so much to keep her memory alive and helps new fans to discover her.)
• • • Take care and God bless.
Written by: Richard S. Baynes, Baltimore, Maryland, USA

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• • • • • • • • • • • • • • • • • • • • • • • • • • • • • •
• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Friday, August 27, 2010

Mae West: Penis Rumors

The absurd Lady Gaga whisperings that the chart-topper might have a penis bring to mind the equally ridiculous speculations about MAE WEST decades ago.
• • Though critics never seem to wonder if a male performer might have a vagina tucked inside his trousers, the same columnists and dart-throwers have often compared Mae to a drag queen, hinting that the movie queen was really born a male.
• • At the time, Mae tossed out this curved ball to the press corps: “Well, was he for me — — or against me?”

• • When I die, you are going to be very surprised! • •
• • In connection with a special Pride show on Thursday, 24 June 2010 in Manhattan, Joan Rivers got a column devoted to her in The Villager, whose hard-working reporter asked the Botoxed-to-death comedienne if there was anything yet to be revealed. “Only for you,” Joan Rivers said, referring our plea for an exclusive nugget: “I am a man. Mae West did that all her life. Mae would say to her audiences, ‘When I die, you are going to be very surprised!' Then she died and there was no surprise — — but how clever.” [Source: The Villager, Volume 80, Number 4 | June 23 - 29, 2010.]

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Thursday, August 26, 2010

Mae West: Brooklyn Ben

MAE WEST sung "Willie of the Valley" in "My Little Chickadee" [1940]. Though the composer was uncredited, this native New Yorker is being unmasked on the anniversary of his death — — August 26th.
• • Born in Brooklyn, New York, Ben Oakland [24 September 1907 — 26 August 1979] was a pianist, composer, and lyricist most active from the 1920s through the 1940s. A child prodigy, Oakland performed at Carnegie Hall in a piano concert at the age of nine. He later accompanied Helen Morgan and George Jessel in variety. Oakland composed mainly for vaudeville shows and Broadway, though he also worked on several Hollywood scores including for the motion picture classic co-starring Mae West and W.C. Fields.
• • Typically, Ben Oakland would focus on writing the music and collaborating with lyricists including Oscar Hammerstein II, Bob Russell, Milton Drake, L. Wolfe Gilbert, and Artie Shaw.
• • In 1940, he wrote "Willie of the Valley" with Milton Drake [1916 — 2006] for the film "My Little Chickadee" and this had a double distinction of being the only number in the movie and it was sung by Mae West herself.
• • The Songwriter's Hall of Fame lists Ben Oakland on their notable (non-inducted) songwriters list for contributions to the American popular song. At age 71, Oakland died in Hollywood.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Wednesday, August 25, 2010

Mae West: James C. Morton

It was 25 August 1912 when MAE WEST was dazzling the audience who had come to see their hometown vaudevillian at the New Brighton Theatre in Brooklyn, New York. The stage was right off the boardwalk. Years before, the comedienne's father had patrolled that esplanade, a fact that local journalists often mentioned, having encountered Battling Jack walking the beat in Coney Island.
• • Short-tempered policemen, court officers, and judges were not some of the Brooklyn bombshell's favorite folks. But James C. Morton had been cast as all of them during his long silver screen career. In his modest role as an 1890s bartender, James C. Morton had appeared with Mae in "Every Day's a Holiday" [released in the USA on 18 December 1937].
• • Born in Helena, Montana in the month of August — — on 25 August 1884 — — the balding character actor often worked for Hal Roach and, typically, he was the the butt of shenanigans by such comics as The Little Rascals, Stan Laurel and Oliver Hardy, The Three Stooges. As Mae did, he had worked with W.C. Fields.
• • James C. Morton died on 24 October 1942 in Reseda, California.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Tuesday, August 24, 2010

Mae West: Smart Blondes

Born a brunette in Brooklyn, MAE WEST slowly migrated to the silver screen's more desirable honey hues (during an era when motion pictures were shot in black and white). Have you ever noticed that the Empress of Sex has not been dumped into the same unflattering "dumb blonde" category where Marilyn Monroe or Jayne Mansfield wound up?
• • Reporter Jojo Moyes writes: There is a glowing list of movie stars who have not exactly had to struggle against the dictates of their hair colour: Mae West, Marlene Dietrich, Katharine Hepburn, and Grace Kelly to name a few. I’d quite enjoy the spectacle of watching someone trying to tell Dame Helen Mirren that she was seen as lightweight. And I would venture that Meryl Streep’s blondeness has been an irrelevance to her stellar career. She is celebrated for what she is: a smart, talented, actress who has made wise choices. ...
• • Letters about being blonde can be sent to dtletters@telegraph.co.uk (for The Daily Telegraph).
— — Excerpt: — —
• • Article: "What's up, blondie? Mariella Frostrup claims that blondes are subject to Fifties-style sexism. But Jojo Moyes argues it’s what you do with your hue that counts."
• • By: Jojo Moyes
• • Published on: 18 August 2010
• • Published in: The Daily Telegraph — — www.telegraph.co.uk

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Monday, August 23, 2010

Mae West: Kathleen Freeman

It was 23 August 1922 when The Clipper announced that MAE WEST had returned to vaudeville and would be opening (again) at Proctor's Fifth Avenue Theatre starting that Monday. This was the same venue that had booked "Mae West and Sister" in its charming auditorium steps from Madison Square Park.
• • A laugh-getter who appeared with Mae in "Myra Breckinridge" [released in the USA on 24 June 1970] also had ties to variety. Chicago native Kathleen Freeman made her vaudeville debut at age 2, becoming a part of her parents' act.
• • Born on 17 February 1919, the heavy-set comedienne portrayed Bobby Dean Loner in the screen version of Gore Vidal's bestseller. The UCLA graduate's first goal had been to shine as a professional pianist but, after thoroughly enjoying her work with several stock productions, she changed gears. Kathleen Freeman once said: "I think comedy is more powerful than drama in the long run. Comedy is more difficult. It's very easy to make people cry."
• • She made her first motion picture appearance in 1948 at 29 years old. The reliable character actress was used as a comic foil by Jerry Lewis in several of his films. Her stocky figure, expressive face, energetic laugh, and supple voice-craft served her well, keeping her in demand and busy juggling parts on the silver screen, TV, and also on Broadway.
• • Kathleen Freeman, 82 years old, was cast in a Broadway production when she died in New York City during the month of August — — on 23 August 2001 — — of lung cancer. Engaged on stage until the very end, the octogenarian had given her final Tony nomination performance for her role as the piano player in Broadway's musical hit "The Full Monty" on August 18th, and five days later she was gone.
• • John Garcia, Executive Director/ Producer of "The Column" Awards, created an award in her honor. This prize is given to individuals who overcome personal, physical, or other major problems in their lives and continue to work in theater, whether behind or in front of the curtain. Kathleen Freeman embodied the true spirit of the Broadway gypsy: "The show must go on." Applause!

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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Sunday, August 22, 2010

Mae West: Parker's Published Piffle Purged

• • MAE WEST was born, she has often said, "on a cool night in a hot month" in Bushwick.
• • Since several solid biographies have been written about her, many Mae-mavens know this already. Therefore, it is unsettling, disappointing, and irritating when a Kings County newspaper has managed to get the basic facts wrong for several years in a row.
• • Brooklyn's Error-Prone Columnist Vernon Parker
• •
• • Fortunately, one of two things has just occurred. Either (a.) Vernon Parker accidentally collided with the truth about Mae West's birthplace on the MAE WEST BLOG or (b.) a few of her fed-up fans notified the Brooklyn Eagle's error-prone history columnist.
• • The Brooklyn Eagle's bylined columnist Vernon Parker [Email: history@brooklyneagle.net] had offered truly annoying poppycock to his readership in a long-running section — — "On This Day in History: AUGUST 17" — — during this month as well as in past years.
• • Previously on Mae's birthday, Vernon Parker had steamed into his first paragraph like this: Mae West was born in Brooklyn on August 17, 1893. That she was born in Brooklyn, there is no doubt — — but exactly where is a subject of controversy. Even in her biography, she simply said “I was born on a respectable street in Brooklyn.” It is almost a certainty that she was born in the Greenpoint section at 184 Franklin Avenue, which would be the Astral Apartments. Another controversial question is when. Mae always claimed the year as 1893 — — but there are those who have calculated the year to be more like 1888. ...
• • Although Vernon Parker continues to misstate Matilda's birthyear as 1875 (instead of 1870), he has dropped some silly statements and amended others. Vernon Parker's column now states that Mae was born in Bushwick. Applause! Though his footnote does not thank the MAE WEST BLOG, it does indicate his revision. To wit, "CORRECTION: This article initially stated that Mae West was born at 184 Franklin Avenue in Greenpoint," writes Vernon Parker.
• • Obviously, two minutes of primary research at the venerable Brooklyn Historical Society, the Brooklyn Public Library, or the Brooklyn City Directory would give Vernon Parker and other local news people the exact street address. So would a peek into a good full-length biography on Mae West.
• • Oh, the alkaline tang one gets from published piffle. Why do some columnists continue to be careless unless they get a pie in the face? And why do newspapers no longer employ fact checkers?
• • The Brooklyn Eagle was established in The City of Brooklyn before Mae was born.
• • Feel free to read and/ or contact the Brooklyn Eagle at 30 Henry Street, Brooklyn, NY 11201; email: publisher@BrooklynEagle.net, edit@BrooklynEagle.net; Tel 718-422-7400.

• • Come up and see Mae every day online: http://MaeWest.blogspot.com/
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